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In this Film Ireland podcast, recorded live on location in Washington, D.C. at the Capital Irish Film Festival, we chat with author, playwright and screenwriter Sheena Lambert about her feature Báite. Presented annually by Solas Nua, the 20th edition of the Capital Irish Film Festival ran from 26th February to 1st March 2026, presenting one of the largest programmes of Irish cinema in North America. Irish-language feature Báite tells the story of a rural village during an All-Ireland weekend in 1975. Blending murder mystery with family drama, the film follows Peggy Casey as her life begins to unravel after a body surfaces in the local man-made lake. In this episode, we catch up with Sheena Lambert about her journey as a writer, the origins of the story, and the ins and outs of adapting a project from page to screen. Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.
Sheena Lambert Dublin-based screenwriter, playwright and novelist Sheena Lambert has an exciting few months ahead with the 2025 release of her debut feature film, BÁITE, an adaptation of her own novel The Lake (HarperCollins, 2015) which was filmed in Galway and produced by Danú Media under TG4/Screen Ireland’s Cine4 Scheme. Following a hugely successful, sold-out, extended summer run, Sheena’s stage play COSIMA, based on her Screen Ireland supported feature screenplay of the same name, is scheduled for an Irish tour via Breda Cashe Productions, with some pre-Christmas Dublin dates already announced. Cosima was the daughter of Franz Liszt, who refused to allow her to perform publicly; she married Richard Wagner to get away from her controlling father and helped him become a much greater success than her father had ever been.
Báite
Winner of Best Irish Language Feature Film at the 2025 Galway Film Fleadh and nominated in four categories at the 2026 Irish Film & Television Academy Awards, Báite arrives in cinemas nationwide on 6th March 2026 to coincide with Seachtain na Gaeilge (1–17 March). Directed by Ruán Magan (The Hunger, Our Blue World – A Water Odyssey), the film is a haunting Irish-language mystery set in rural Ireland in September 1975. When a body is discovered in the receding waters of a lake, the find sends shockwaves through a small community. For 23-year-old Peggy Casey, who runs the local pub, the revelation threatens to upend not just her life, but an entire town built on secrets long submerged.
About Capital Irish Film Festival Solas Nua’s annual Capital Irish Film Festival in Washington, D.C., presents one of the largest programmes of Irish cinema in North America, showcasing the latest Irish dramatic and documentary features, shorts, art films and animation releases by Irish and Ireland-based filmmakers. The 20th edition of the four-day festival takes place 26 February – 1 March 2026 in partnership with the prestigious American Film Institute’s Silver Theatre & Cultural Center. The festival provides a US platform that amplifies the work of independent filmmakers working in Ireland and beyond, and celebrates the strength of Ireland’s contemporary cinematic culture. The programme highlights the country’s rich cultural heritage while fostering an inclusive and diverse community of Irish filmmakers. Capital Irish Film Festival champions emerging voices on Irish screens, showcases the exceptional talent and craft within Irish filmmaking, and reflects the robust and vibrant screen industry that has grown in Ireland in recent years. Over th
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In this episode of the Film Ireland Podcast, we are delighted to once again partner with the Dinard British and Irish Film Festival, which held its 37th edition the weekend before last in the picturesque seaside town of Dinard, Brittany. At the festival, Film Ireland's Associate Editor Gemma Creagh caught up caught up with Eric Lagesse, CEO of Pyramide Films, to discuss Eric's passion for storytelling, the French film industry and the opportunities and challenges of bringing Irish films to international audiences. With decades of experience in independent film distribution and international sales, Lagesse shares his insights into the art of selling films across markets, the complexities of film financing, and the role of independent distributors in supporting filmmakers and bringing distinctive stories to audiences around the world.
In today’s episode of the Film Ireland Podcast, we’re delighted to be partnering with the Roscommon International Film Festival (RIFF) to discuss a very important topic. As part of Dyslexia Awareness Month, RIFF is teaming up with Dyslexia Ireland to showcase films created by dyslexic filmmakers and raise awareness of dyslexia. We’re delighted to welcome Christine (CC) Braithwaite, a BAFTA-winning filmmaker, writer, director and producer, and co-founder of the Roscommon International Film Festival; and Keith Dunphy, an award-winning RADA-trained actor working across theatre, film and television. His screen credits include Star Wars: Rogue One, Children of Men and The Wind That Shakes the Barley. He is currently touring with his one-man play, Word Against the Word. In this episode, we discuss filmmaking, dyslexia, representation, and the importance of creating space for diverse voices within the film industry. Roscommon International Film Festival (RIFF) takes place from 22–24 October 2026 at Roscommon Arts Centre. Check out the full programme and get your tickets now at roscommonfilm.com. Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, subscribe to Film Ireland wherever you get your podcasts or watch the original recording here: https://www.filmireland.net/podcast-actor-keith-dunphy-filmmaker-festival-founder-christine-braithwait-on-dyslexia-riff Keith Dunphy Keith Dunphy is an award-winning actor with over 25 years’ experience across theatre, film and television in London and Ireland. A RADA-trained actor, his extensive theatre work includes the Royal Shakespeare Company, Shakespeare’s Globe, Abbey Theatre Dublin, Bristol Old Vic, Royal Exchange and Regent’s Park Open Air Theatre. His screen credits include The Winter King, Professor T, Peaky Blinders, The Hollow Crown, Beowulf, No Offence and Rebellion, alongside feature films including Star Wars: Rogue One, Les Misérables, Children of Men, The Wind That Shakes the Barley and Inside I’m Dancing. Most recently, Keith filmed the feature Improper Bastards for Fire in the Whole Productions and toured Ireland with his acclaimed one-man play Word Against the Word, written and performed by Keith. Christine “CC” Braithwaite Festival director, Christine is a writer, director, producer, festival director and workshop facilitator with over 30 years of experience across television, film, theatre, radio and creative writing. She recently directed for Channel 5’s Milkshake! children’s documentary series Love Nature and delivers creative film workshops for organisations including Screen Yorkshire, Leeds Film Festival, Roscommon International Film Festival, Foróige and Foxford Youth Drama. She also specialises in interactive workshops for children with Special Educational Needs (SEN), using puppetry and shadow puppetry.
In this episode of the Film Ireland Podcast, we’re joined by Irish director and novelist Stephen Burke, whose work has explored some of the most complex and turbulent chapters of Ireland’s recent history. Stephen’s latest film, Chasing Millions, is inspired by the Northern Bank robbery. The film follows veteran Northern Irish detective Crayford and ambitious young Australian police officer Diana as they investigate what becomes the biggest bank job in British, Irish and Australian history. Starring Emmy-winning actor Christopher Eccleston (28 Days Later, The Leftovers, True Detective: Night Country) and Australian actress Madeleine Madden (The Wheel of Time, Dora and the Lost City of Gold), Chasing Millions is a true(ish) story of a legendary bank job. Chasing Millions is in cinemas from Friday 9th October 2026. Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts or watch the origional recording here: podcast-co-writers-director-stephen-burke-chasing-millions
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In this episode of the Film Ireland Podcast, we’re talking about the award-winning documentary World Without Cows with the award-winning journalists/filmmakers behind it, Michelle Michael and Brandon Whitworth. The documentary takes us on a global journey across 22 countries and five continents, exploring the complex relationship between food, sustainability, biodiversity, and the people whose lives hang in the balance. World Without Cows kicked off its global theatrical screening tour with its world premiere here in Dublin on 9th September 2026, at the Pearse Lyons Distillery. From Covid restrictions to stolen equipment, the duo chat about the making of the film, their journey following the science, and the importance of telling a story that matters. Listen now on SoundCloud, Apple, Spotify, Acast, Amazon, or subscribe to Film Ireland wherever you get your podcasts or watch the original recording here: https://www.filmireland.net/podcast-filmmakers-michelle-michael-brandon-whitworth-world-without-cows World Without Cows This film follows Michael and Brandon across five years and 22 countries, from the cattle-crowded streets of India to the drought-worn grasslands of Kenya, in pursuit of a question most people assume is already settled: What role should cows play in the future of our food, our communities, and our planet? What they find complicates the story. In India, cattle provide up to a quarter of the country’s protein (through milk), even as millions of cows roam the streets as strays, no longer producing milk but remaining culturally protected. In Kenya, cattle are survival itself for nomadic communities losing pasture to an increasingly shifting climate. And beneath the debate, scientists and ranchers alike are finding that well-managed grazing animals can actually help rebuild the soil the world depends on to feed itself. Michelle Michael Michelle Michael’s curiosity about the wider world began in a small Ohio town and ultimately led to a decades-long career in journalism, including years spent abroad as a U.S. military correspondent. Her work has taken her from local newsrooms to war zones, earning recognition from the National Press Photographers Association, West Point Military Academy, the Poynter Institute, and the Kentucky News Photographers Association. Over the past decade, Michael has turned her journalistic eye increasingly towards agriculture and the people whose lives are connected to the land. Working alongside longtime collaborator and World Without Cows co-filmmaker Brandon Whitworth, she has travelled extensively to document farmers and producers around the world, bringing their experiences, challenges, and perspectives to the screen. That combination of curiosity, field experience, and a reporter’s instinct for asking questions became the foundation for World Without Cows, a five-year investigation that took Michael and Whitworth across five continents in search of a deeper understanding of one of the world’s most familiar, and increasingly debated, animals. Brandon Whitworth Brandon Whitworth began his career in local television news, spending more than a decade with CBS and NBC affiliates in Kentucky and Utah before becoming an international video producer. A two-time Emmy Award-winning television news photojournalist, he has also received regional honours from the American Advertising Federation, the Associated Press, and the National Press Photographers Association. Like his directorial counterpart, Whitworth is originally from Ohio. He has followed stories wherever they have taken him, from covering wildfires by helicopter to travelling the globe reporting on agriculture, science, and food. For the past decade, he has worked alongside longtime collaborator and World Without Cows co-filmmaker Michelle Michael, documenting the lives of farmers and producers across cultures and continents Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shy