Show Notes
In this episode of NeedleXChange I interview Robert John Hodge. Robert John Hodge makes cross-stitch work based on Renaissance sculptures, using a CMYK / screenprint-style layering approach and recurring Wingdings symbols. In this half we jump into Robert’s newer series - smaller, quicker pieces that work like little stitched collages: videogames, screenshots, photos, culture… and, for reasons we absolutely get into, a whole run of nuclear weapons tests. Part 2 is where we widen out into the stuff that feeds the work: horror films from the 70s and 80s, documentaries that stitch history into a continuum, Kate Bush and Wagner, and even T.S. Eliot’s The Waste Land as a kind of cultural collage blueprint. Timestamps: 00:00:00 - Introduction 00:01:30 – Cross stitch as a serious art medium 00:05:44 – Challenging the “serious art” prejudice 00:07:50 – Balancing making work and making money 00:09:02 – Art-world reality: logistics + day job 00:11:22 – Film influences + nostalgia threads 00:18:16 – A wide media diet (and why it matters) 00:24:53 – Literary influences: T.S. Eliot and collage thinking 00:26:52 – Looping + obsession as the creative engine Links: Website: robertjohnhodge.com Instagram: robertjohnhodge Intro music is Cotton Candy by Cospe via Epidemic Sound. About NeedleXChange: NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice. Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet. Visit the NeedleXChange website: needl.exchange Sign up for the NeedleXChange Newsletter here: bit.ly/NeedleXChangeNews If you're looking for modern cross stitch designs, then XStitch is the magazine you need! Find out more here: xstitchmag.com And follow Mr X Stitch on all the usual social media channels! Facebook: mrxstitch Instagram: mrxstitch Pinterest: mrxstitch YouTube: mrxstitch LinkedIn: mrjamiechalmers
More from NeedleXChange
In this episode of NeedleXChange I interview Haf Weighton, a Wales-based contemporary embroidery and textile artist known for turning place, memory and identity into stitch. This is part two, where we turn to Wales, starting with Arts Council support and moving into language, cultural identity and what it means to be an artist who happens to be Welsh. Haf reflects on bilingualism, creativity and belonging, then we get into the practical side of her work: painting on recycled fabric, hand and machine stitch, and a fine-art-led approach to making, before finishing with books, music, films and an unexpected David Bowie story. Links Instagram: Hafweightonartist Website: hafweighton.art Intro music is New Car Smell by Baegel via Epidemic Sound. About NeedleXChange An artist interview podcast exploring contemporary embroidery and textile art. Hosted by Jamie "Mr X Stitch" Chalmers. Stay Connected needl.exchange | Newsletter: bit.ly/NeedleXChangeNewsmrxstitch.com | xstitchmag.com
In this episode of NeedleXChange I interview Haf Weighton, a Wales-based contemporary embroidery and textile artist whose work is rooted in places, journeys and the details we usually walk past. We talk about the story behind her High Street exhibition, from Arts Council support to a last-minute route to New Zealand and Australia, and the way travel, memory and architecture feed into her work. Along the way we get into sketchbooks, unfinished work, borders, looking at familiar places through other people's eyes, and the part artists can play in bringing new energy to overlooked town centres. Links Instagram: Hafweightonartist Website: hafweighton.art Intro music is New Car Smell by Baegel via Epidemic Sound. About NeedleXChange An artist interview podcast exploring contemporary embroidery and textile art. Hosted by Jamie "Mr X Stitch" Chalmers. Stay Connected needl.exchange | Newsletter: bit.ly/NeedleXChangeNewsmrxstitch.com | xstitchmag.com
In this episode of NeedleXChange, I interview Prisma Andrade, a Chicago-based fiber and textile artist and recent School of the Art Institute of Chicago graduate whose work turns her family's archive into material and asks what makes something sacred. Prisma builds her pieces from spinning, jacquard weaving, dye painting and quilting, treating process as a way to make everyday objects sacred. In Part 2 we trace her path from an arts-magnet high school in Dallas to SAIC, her move from painting into fiber, digital jacquard weaving with laser-cut dyed frames, dye painting and quilting that reads like stained glass, her earlier bodily work, and a quickfire on Sing Street and Magdalena Bay. Links: Instagram: prismacolorhell Intro music is New Car Smell by Baegel via Epidemic Sound. About NeedleXChange An artist interview podcast exploring contemporary embroidery and textile art. Hosted by Jamie "Mr X Stitch" Chalmers. Stay Connected needl.exchange | Newsletter: bit.ly/NeedleXChangeNewsmrxstitch.com | xstitchmag.com
In this episode of NeedleXChange, I interview Prisma Andrade, a Chicago-based fiber and textile artist and recent School of the Art Institute of Chicago graduate whose work turns her family's archive into material and asks what makes something sacred. Prisma recreates artworks and photographs from her family, past and present, using weaving, quilting and dye to disrupt the border between painting and textile. In Part 1 we get into sanctity and what becomes sacred, how framing tells us to pay attention, her family's migration between Honduras, Spain and the United States, nostalgia and inherited memory, the gender hierarchy inside the family archive, and why textiles are the things that survive the chopping block. Links: Instagram: prismacolorhell Intro music is New Car Smell by Baegel via Epidemic Sound. About NeedleXChange An artist interview podcast exploring contemporary embroidery and textile art. Hosted by Jamie "Mr X Stitch" Chalmers. Stay Connected needl.exchange | Newsletter: bit.ly/NeedleXChangeNewsmrxstitch.com | xstitchmag.com
This is Part 2 of my conversation with mixed-media artist Margot Peer. We open with her breakout piece, "Cross Stitch of Me Crying in My Bathroom When I Was 16," scaled up to a three-foot-by-four-foot, full-body stitching experience in yarn, and the accidental "glitch" of cascading threads that became part of her style. Margot talks candidly about what it means to sit and stitch your own crying face, the difference between documenting a real cry and performing one, and the low-resolution "loophole" that let a nude piece slip past Instagram. We also cover animating cross stitch (a six-month stitched video), glow-in-the-dark experiments, needlework's fraught status as fine art at RISD, and a quickfire run through Bladee, Jamie XX, Empire of AI and Where the Wild Things Are. Links: Website: margotpeer.com Instagram: margot.peer Intro music is New Car Smell by Baegel via Epidemic Sound. About NeedleXChange An artist interview podcast exploring contemporary embroidery and textile art. Hosted by Jamie "Mr X Stitch" Chalmers. Stay Connected needl.exchange | Newsletter: bit.ly/NeedleXChangeNews mrxstitch.com | xstitchmag.com