Show Notes
This week we’re excited to present a conversation with The Christophers' lead actor Ian McKellen and screenwriter Ed Solomon as they discuss their film with FLC programmer Madeline Whittle.
In Steven Soderbergh’s new film The Christophers, Ian McKellen plays Julian Sklar, who was once a star of London’s 1960’s and 70’s pop art explosion but hasn’t painted in decades and has been broke for years. His two estranged children (James Corden, Jessica Gunning), desperate for an inheritance, hire Lori, an art restorer and former forger (Michaela Coel), to pose as a prospective assistant in order to access 8 unfinished canvases Julian has buried deep in storage. Her plan is to complete them, then return them to storage, where they are to be “discovered” upon Julian’s death.
More from Film at Lincoln Center Podcast
This week we’re excited to present a conversation from the 64th New York Film Festival with You Can See Everything directors Nathan Fielder and Lance Oppenheim, moderated by NYFF Artistic Director Dennis Lim.
Welcome to the final daily 64th New York Film Festival podcast. On today’s edition, we present a special two-part conversation in celebration of Ken Russell’s restored, uncensored cut of The Devils playing on 35mm for one week only starting this Friday at Film at Lincoln Center.
At the 64th New York Film Festival, Ava DuVernay, Ambassador Jeff Flake, editor/producer Spencer Averick, producers Tammy Garnes and Paul Garnes, and Sherrilyn Ifill, founding director of the 14th Amendment Center for Law and Democracy, join NYFF programmer Florence Almozini at a press conference to discuss this year’s Closing Night selection 14th.
At the 64th New York Film Festival, Jesse Eisenberg, Julianne Moore, Paul Giamatti, Halle Bailey, Bernadette Peters, and Eldar Isgandarov join NYFF Programmer Madeline Whittle to discuss The Debut.
Welcome to the daily 64th New York Film Festival podcast. On today’s edition, Pedro Almodóvar and Milena Smit join NYFF programmer Florence Almozini to discuss Bitter Christmas. Special thanks to Carla Marcantonio for interpretation.