
Show Notes
When controversial Berlin artist Lene Schneider-Kainer flees the safe confines of her posh marriage and life to retrace Marco Polo’s legendary voyage—with her new lover, a celebrity novelist —the adventure she seeks isn’t the one she gets. The scandalous choice turns her into a permanent exile, always seeking. The Art & Objects Collection of the Leo Baeck Institute in New York contains hundreds of stunning watercolors by Lene from her 1920s trip. Her travel diaries of that voyage were translated into English by volunteers Ruth Heiman and Irene Miller. You can view all these materials, along with a scrapbook of clippings documenting Lene’s travels, at www.lbi.org/schneider-kainer. Exile is a production of the Leo Baeck Institute, New York | Berlin and Antica Productions. It’s narrated by Mandy Patinkin. Executive Producers include Debbie Pacheco, Stuart Coxe and Bernie Blum. Senior Producer is Katrina Onstad. Produced by Alexis Green. Associate Producers are Jacob Lewis, Hailey Choi, and Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson with help from Cameron McIver. Theme music by Oliver Wickham. Voice acting by Isabel Kanaan. Thank you to Outloud Audio, Sabine Dahmen and her German language book on Lene Schneider-Kainer that included Bernhard Kellermann’s letter, Behrooz’s translator Lida Nosrati, and to Behrooz Abbasi for providing us with music from his film, “Lene, 1927 Bandar Abbas”.
More from Exile
Exile released its first episode in November 2022, but the tale of how it came to be started long before that. On this special episode, we’re pulling back the curtain to tell the story of how this podcast gets made. From its origins in the mind of a dedicated board member, to the months of research and planning to select and shape episodes, to the music and sound effects that bring listeners into a time and place long past, Exile is truly a labor of love.
This is part 2 of the remarkable story of Rabbi Leo Baeck.
Rabbi Leo Baeck looms large in German-Jewish history, but he began his career as a smalltown rabbi in present-day Poland. Baeck quickly earned a reputation for moral clarity and quiet resolve, even in the face of a powerful opposition. As World War I gave way to the rise of the Nazis, the pressures on German Jewry intensified, and Baeck was thrust into an impossible role: guiding a community through its most dangerous and devastating hour. This is the first chapter of a two-part story.
In 1933, German author Lion Feuchtwanger wrote the first ever novel about the experience of Jews under Hitler. The book became a global sensation. When he finally received an offer in 1938 to adapt his most popular book for the screen in Stalin’s Russia, he jumped at the chance. The film was a success, but the decision would come to haunt him when he lived in California during the Red Scare.
In the late 1930s, one of the few places in Berlin that still allowed Jewish visitors was the Zoological Garden, which was established with the support of many Jewish donors. As antisemitic laws took over elsewhere, the Zoo remained a space for community and childhood joy. Eventually, however, even the Zoo would betray the Jews. Sixty years later, one man with fond memories of the zoo realized that an injustice had occurred against his family, and did everything he could to right the wrongs of the past.