Lucy D. Curzon, "Art and Citizenship in Conflict: British Women War Artists, 1939–45" (Manchester UP, 2025)
New Books in Women's HistoryShow Notes
Art and Citizenship in Conflict: British Women War Artists, 1939-45 (Manchester UP, 2026) by Dr. Lucy Curzon examines the work of women war artists in order to highlight the complexity of citizenship and gender in Britain during the Second World War.
Evelyn Dunbar, Mary Kessell, Ethel Gabain, Stella Schmolle, and Laura Knight, among others, were commissioned by the War Artists' Advisory Committee (WAAC) to document the millions of women who took up sometimes unconventional roles-in agriculture, the auxiliary services, and manufacturing, among others-to support the British war effort. Indeed, their prints, drawings, and paintings were part of a broader scheme to uphold morale and promote much-needed citizen involvement on the home front. While there is growing interest, the importance of their remit in the history of the Second World War and the quality of their artistry have nonetheless not yet secured them a significant place in scholarship. Art and Citizenship in Conflict seeks to amend this gap.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
More from New Books in Women's History
Before Ruth Bader Ginsburg persuaded the Supreme Court to strike down sex discrimination, Dorothy Kenyon drew the legal blueprint. Justice Was Her Calling: The Fierce and Fascinating Life of Dorothy Kenyon (U California Press, 2026) by Jennifer Brinkley is the first full-length biography of the New York judge, lawyer, and civil liberties champion whose litigation strategies helped transform the Equal Protection Clause into a powerful tool for women’s rights. Across decades, from the Progressive Era through the New Deal and into the rise of second-wave feminism, Dorothy Kenyon stood at the forefront of reform.
In Searching for Jane Crow: Black Women and Mass Incarceration in America from the Auction Block to the Cell Block (Beacon Press, 2022), historian Talitha L. LeFlouria centers Black women at the core of a fresh argument: that the system of mass incarceration was established as protection for the institution of slavery and the profits of enslavers and that this legacy continues today.
For as long as human societies have been telling stories, the patriarchy has felt threatened by women. In this book, Eleanor Johnson provides an engaging cultural history of a figure she calls the “monstrous bitch,” the notorious female who has haunted the patriarchal imagination for centuries, feared for her sexual promiscuity, her exercise of reproductive agency and control, and her outspoken way of contesting patriarchal power.
Born in Florida to a religious family, Lillian Smith (1897-1966) was a white Southern woman living in the Jim Crow South who defied all stereotypes: She lived with her lover, Paula, first running a summer camp in the foothills of the Appalachian Mountains and then a magazine devoted to creating a new vision of the South, one that passionately championed equality and integration. Smith published Black and white writers, a rare feat in those days, and herself wrote articles instructing white Southerners on why they shouldn’t support segregation—Smith firmly believed racism hurt white Americans, too.
The first full biography of the controversial and complex First Lady Julia Gardiner Tyler--an unjustly scandalized New Yorker, the second wife to President John Tyler, and a savvy and consequential political figure in the age of the Civil War.