Show Notes
This week the gang review Bird Grove, the George Eliot origin story that nobody was quite sure they needed. How did Mary Ann Evans become one of the most famous novelists of all time? Did she fall in a vat of radioactive acid? Or get bitten by a radioactive spider? No, the answer is much more church-focused.
They also visit the Donmar Warehouse for Anna Ziegler's new play Evening All Afternoon about a mother/daughter relationship and functionally extinct rhinos.
Mad Men and Billions star Maggie Siff talks to Nick Curtis about playing CS Lewis's lover, the poet Joy Davidman, in Shadowlands at the Aldwych Theatre, and award-winning actress Nancy Carroll answers five questions.
Follow us on Instagram and watch us on YouTube @thelondontheatrereview. Hosted on Acast. See acast.com/privacy for more information.
More from The London Theatre Review
This week, Nick, Nick and Nancy head to the Harold Pinter Theatre for The Cherry Orchard, starring Kristin Scott Thomas and Stephen Mangan. Conor McPherson and Ian Rickson give Chekhov’s crumbling aristocrats a good shake, while Nick Clark makes a confession: he’s somehow never seen a Chekhov play before. Will this one get him hooked?
Welcome to a special edition of the London Theatre Review in association with Marquee TV, the expert curated streaming platform for arts and culture. This is our first ever watch party in which we pick a production from Marquee TV's huge catalogue, watch it, and discuss along with your thoughts.
This week, the gang gets to grips with economics, ballet and the Bloomsbury set as James Graham’s new play The Standard of Living comes to the Theatre Royal Haymarket. Rory Kinnear plays John Maynard Keynes, with star ballerina Natalia Osipova as his wife Lydia Lopokova. Producer Tim joins Nancy and Nick Curtis for the review, but does it all add up?
This week, two starry openings in the West End: Christine Baranski and Richard E Grant bring Noel Coward's frothy classic Hay Fever to the Wyndham's and Gillian Anderson and Billy Crudup slug it out in Edward Albee's masterpiece Who's Afraid of Virginia Woolf.
This week, the team travels from ancient Troy via modern Essex to the boxing rings of Depression-era New York.