Show Notes
The Montreal based and Anishinaabe-led band, Ribbon Skirt talks about their album, Bite Down and new EP, PENSACOLA. Frontwoman Tashiina Buswa talks with Emily Fox about how indigeneity comes up in her music, especially the song “Off Rez” and shares stories about her life and family, including how her mother was saved from the mass adoption of indigenous children known as the “Sixties Scoop.” “You’re never really free, even if you're told you're free as an Indigenous person,” Buswa says. “It's why we are always saying land back. There’s been so much that has been stripped away and so much that won't ever be given back, but all we can do is just keep demanding and keep fighting for that freedom or that to have our rights to exist in this land is like that's the only thing that we can keep fighting for.”
photo credit: Ani Harroch Support the show: https://www.kexp.org/sound/ See omnystudio.com/listener for privacy information.
More from A Deeper Listen
This is the final episode of A Deeper Listen. After seven years on air as the Sound & Vision radio show and more than 500 episodes in this podcast feed, Emily Fox and contributors share their favorite moments from a story or interview they’ve done for this show. Support the show: https://www.kexp.org/sound/ See omnystudio.com/listener for privacy information.
Electronic artist SHIMA fuses dance beats with Japanese sounds on her debut album, Welcome to SHIMAJIMA. She talks with Emily Fox about how the history of Kamikaze pilots, and how a dancing hallucinogenic mushroom trip centuries ago inspired some tracks on her record. She also talks about creating an album for the culturally homeless and shares her journey from being a J-pop star, to a computer engineer to an indie DJ/producer. Photo credit: Maxine Bowen Support the show: https://www.kexp.org/sound/ See omnystudio.com/listener for privacy information.
For decades, Beverly Glenn-Copeland’s music went virtually unnoticed. Beginning in 1970, he released records that crossed folk, R&B, electronic music, and other genres, always seeking new territory. That changed in 2017, when his 1986 album Keyboard Fantasies was rediscovered, ushering in renewed interest in his work. Since then, Glenn—who came out as a trans man in 2002—has toured and released new music for a growing, devoted audience. In 2024, however, he was diagnosed with dementia. While at first they thought this would be the end of his performing career, Glenn and his wife, Elizabeth Copeland, are returning to play a short run of Canadian dates and releasing a new album, Laughter in Summer, on Feb. 6 via Transgressive Records. KEXP’s Dusty Henry speaks with the couple about returning to music in the face of Glenn’s diagnosis, the purpose and power of their work, and the love that binds them together. “I always considered that the music that I ‘wrote’ was sent to me from a higher source,” Glenn says. “You can't do that if you don't work at your craft, whatever it is. But if you do, and there's something special about what you're doing, then you're going to get sent some amazing stuff.” Photo credit: Wade Muir Support the show: https://www.kexp.org/sound/ See omnystudio.com/listener for privacy information.
Toronto-based artist Kadhja Bonet recently released a short but powerful EP called Battlewear. Written just after Trump's re-election, it's a politically charged project that takes aim at tech giants, corporate greed, and streaming culture. Isabel Khalili speaks with Bonet about the rage and urgency behind the release, why she chose to leave Spotify and part ways with her label, her thoughts on social media, AI, and motherhood, and how stripping back her sound helped sharpen her message. “They really want us to think that we are beholden to the system,” Bonet says. “But we are not. We actually have this capacity to break free of this and start our own organic communities.” Support the show: https://www.kexp.org/sound/ See omnystudio.com/listener for privacy information.
Australian act, SELVE is the first Aboriginal-led band to record at Abbey Road Studios in London. The band recently released their second record, Breaking Into Heaven. KEXP Contributor, Celine Teo-Blockey spoke to frontman Loki Liddle about the strong Indigenous themes on the album and how returning to Country and speaking to his elders helped shape the writing process for this expansive pop-rock album. Support the show: https://www.kexp.org/sound/ See omnystudio.com/listener for privacy information.