LITM Extra - Boy George, Gaza, and 'We Will Dance Again' [excerpt]
Love is the Message: Dance, Music and CountercultureShow Notes
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In this episode Tim responds to Boy George’s recent musical offering, ‘We Will Dance Again’. To respect BDS, we won’t be playing this AI-generated apologia for the Gaza genocide, or anything else from George’s catalogue, but Tim does explore the British singer’s confused history of political pronouncements on this and other issues, alongside some contemporaneous synth-pop from his New Romantic heyday. Elsewhere in the episode Tim talks about his own Jewish upbringing, the history of Israel, the nation’s participation in Eurovision, current reflections on the horrors being perpetrated in Palestine, and some modern and vintage Palestinian liberation music.
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Tracklist: The Equals - Black Skinned Blue Eyed Boys Visage - Fade to Grey Heaven 17 - (We Don’t Need This) Fascist Groove Thing Kofia - Leve Palestina Roger Waters - Comfortably Numb Re-Imagined
More from Love is the Message: Dance, Music and Counterculture
In this episode we conclude our survey of 1970s spiritual jazz with some lesser known cuts from the canon. Several of the tunes here were once hard-to-find collectors items, but the renewed interest in this body of work has led to reissues and an enlarged audience for these awesome pieces. Tim and Jeremy discuss the various religious sources on the practitioners of spiritual jazz, from Buddhism and Hinduism to African and Gospel influences. They unpack the problems with the term ‘spiritual’, consider this music’s utopian horizons and conduct a little reception history of how this sound lost and found an audience.
This is an excerpt of a patrons-only episode. To hear the full thing, visit Patreon.com/LoveMessagePod.
Today we’re taking it back to the early 70s as we begin a mini-series on spiritual jazz. Psychedelic, cosmic, astral: all words associated with a set of releases somewhat maligned at the time but now firm favourites on our turntables and across the globe. Tim and Jeremy cue up Pharoah Sanders, Albert Ayler, Lonnie Liston Smith and of course the great Alice Coltrane for a journey down the streams of consciousness. They examine the genealogy of the term spiritual jazz and the pre-history of some of its early progenitors, dig into the the various belief systems of universal love and peace, examine the Indian influences on both the music and the metaphysics, and give some time to the looming figure of Miles Davis in all this. Plus: an unexpected visit from Louis Armstrong. Patreon.com/LoveMessagePod Loveisthemessagepod.co.uk Produced by Matt Huxley
Love is the Message returns from our summer break just in time for the Bank Holiday Weekend, which in London means one thing: Carnival. In this episode Jeremy and Tim cover the history of Notting Hill Carnival, the largest such event in Europe. They discuss patterns of Caribbean migration to the UK, traditions of carnival from Ancient Greece to Trinidad and Rio, and the particular story of Notting Hill, with its steel bands, dub sound systems, parade and party. They return to Lovers Rock, consider legendary stages like Aba Shanti, Good Times and Saxon, and interrogate how Bakhtinian and Deleuzian ideas can be applied to this unique expression of Black British culture. Plus: David Mancuso in Trinidad, and a young Jeremy tries to buy Pass the Dutchie.
We at LITM are still on our summer break, but while we’re away we wanted to share this interview on that most Northern of subjects, Mark E Smith of The Fall. Joining Jeremy for this discussion is Dr David Wilkinson. With reference to David’s essay ‘Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird’, the pair get into the weeds on Smith’s complicated politics, working class conservatism, the Weird, and the type of guy MES represents: autodidactic, contrarian, nostalgic, boozy. They relate The Fall’s work to pulp Modernism, loss and libertarianism, excavate the role of boredom in the development of the band’s sound, and ask: why should we care?