
Show Notes
5ever is an underground publishing house based at Rebel Press, Trades Hall in Te Whanganui-a-Tara. We print, splice, bind and chop pesky dank little books. Our scope is nebulous. Form and sense of disciplinarity remains plural. But our target is clear: to publish punchy, intense and interdisciplinary work, woven together by a shared transformational kaupapa. We recognise the collective necessity of actively infiltrating and affecting our playground and home, Wellington. As we balance our vision with pragmatism, we are committed to realising a post-capitalist vision that honours Te Tiriti O Waitangi in Aotearoa. We are serious in our playfulness. - Sasha, Achille, Max and Olive. In February I had the opportunity to speak with Achille and Sasha on the Wellington Access Radio Community Drive show. This is an edited version of that conversation for those who missed it. Here’s a link to the 5ever website Achille and Sasha talk about an event that took place in February - I thought it was impor`tant to leave this part of the conversation in because it explains the type of work 5ever is doing. During this programme we played three songs and due to to copyright, I’ve removed two of these. Because I think it’s important to here this song at every opportunity, I’ve left in Shervin Hajipour’s For Woman, Life, Freedom شروین حاجی پور Here are the songs we played: https://youtu.be/Q4Rb5_kjS2M https://youtu.be/h_gA0yxKPKI https://youtu.be/lP3PZrr-iOg
More from Better off Read
On the 5th of September this year, i was lucky enough to be in an event at Word Festival called I Wish I Wrote That with an incredibly talented line-up of writers including Jon Toogood. Jon had an event before ours and i watched him perform 'Home Again' on acoustic guitar from the Green Room. Even backstage and through a screen i found myself moved to tears - it's an incredible piece of songwriting that just seems to hit me more and more profoundly. About five minutes into Jon's book signing i needed to go to the foyer and it was wild. One thing became really clear - people love Jon and Jon's book and Shihad. During our event, Jon read a really beautiful piece about Aldous Harding's song 'Treasure'. One of the really great things about Jon's memoir Home Again is the way he writes about music, not just the music he makes but the music he loves.
Helen and i have been friends for a long time. Over the years her work has been incredibly inspiring to me. When i say 'Helen's work' i mean her writing, her activism, her visual art, her journaling, her essays, her thinking, her teaching, her friendship, her family-ship, her gardening and all the other amazing things she does. i also admire the way it is quite hard to separate these 'works' out from each other. If there is such a thing as an artist's life i think Helen is a really great example of that. When we met a few weeks ago, Helen brought along her journal as the object to act as a starting place for this conversation.
September is such an exciting month because it sees the launch of The Valley of Unlikely Acquaintances an amazing novel written by Terri Te Tau and published by Spoor Books
i loved talking to Molly Crighton over Zoom earlier this month about her new novel The Body and the Blood out with Hachette New Zealand
i'm really grateful to Tīhema Baker for speaking with me about his new novel One Day a Taniwha (Hachette) i was a massive fan of Tīhema's last novel Turncoat and i've enjoyed hearing Tīhema talk over the last few years. i was lucky enough to read Tīhema's book last year and i loved it. i reread it for this podcast and i still love it. Maybe even more. It's an incredibly compelling story set in several planes of experience - centrally the waking and sleeping lives. It's an incredibly intelligent and beautiful novel. Through this deft craft i think it makes possible new ways of thinking about fatherhood, work, mental health and how these are effected by colonisation and colonialism. In our discussion i touch on how fresh and cutting edge Tīhema's depiction of fatherhood is. i just can't recommend it enough. This podcast was recorded over Zoom.