When the dress made the woman

Is this what it's like to die? This was one of the thoughts drifting through sixteen year old Barry Watkins mind as he clung on to the edge of his brand new surfboard. In a story of terror and survival Barry recalls what it was like to come face-to-face with a great white - the fifth shark attack in Dunedin history. Out in the ocean, a dark shadow lurks beneath the surface unbeknownst to the person swimming above. And what that individual doesn't know is that he's about to be caught in the teeth of an unwieldy, man-eating shark. "The first thing I had to do was find out where the shark was...I was absolutely petrified."

Rugby legend Sir Bryan Williams made All Blacks rugby history as the first player of Pasifika blood to play in Apartheid-era South Africa in the early 1970s. He talks to Sonia Yee about the cultural obstacles and challenges heading into the three-month tour, what it meant for Black South Africans and why he's advocating for Pasifika players today through Moana Pasifika. Today, Pasifika players are commonplace in the All Blacks, and rugby in general. But that hasn't always been the case. During Sir Bryan Williams' time there were cultural barriers. ​Listen to the podcast to find out what it took for Sir Bryan Williams to alter rugby history The year was 1970 when a shy, 19-year-old Bryan Williams was selected to play for The All Blacks. It was an exciting and daunting time. "I was selected alongside many of my heroes - Colin Meads, Brian Lochore, Malcolm Dick, and a whole array of top players who I'd spent the 1960s absolutely idolising, and then suddenly I was selected alongside them, so I was terrified," Williams recalls. "Coming into the All Blacks, you're always under pressure. There's the expectation that you live up to what the jersey stands for." Williams was only just getting used to the spotlight in his rookie year, when he was selected for a three-month tour to play against the Springboks in apartheid-era South Africa. While Williams was not the first Pasifika player to join the All Blacks - Walter Batty, and brothers Frank and Dave Solomon came well before him - Williams would be the first to travel there, but not without some anxiety leading up to the tour. The system of apartheid, which translates as 'apartness' in Afrikaans was built on a legislation of separatism and racial segregation under a white-led National Government. Formally coming into law in 1950, apartheid kept those of black and coloured skin completely separate from whites in the public domain. Designated areas were set up on the basis of skin colour. 'Whites Only' signs would be seen hanging in shop windows, on park benches, at entrance ways to cafes and restaurants, and even access ways to beaches. Interracial marriages were banned and all South Africans were classified into four groups - black, coloured (mixed race), white, and later, Asian (for Pakistanis and Indians). Previously, in 1960 Māori All Blacks were banned from touring to South Africa and New Zealanders were signing petitions opposing the exclusion and the tour. Ten years later, Williams and the three Māori players - Sid Going, Buff Milner and Blair Furlong - would be admitted under a special pass, giving them what was referred to as 'honorary white status.'… Go to this episode on rnz.co.nz for more details

Not much is known of the suburban zoo that was once situated in Christchurch's North Beach. But those who visited recall eyeing up a mysterious crocodile in a small glass enclosure. In this episode of Eyewitness, Sonia Yee uncovers some myths, and finds out why it has left many with a mix of wonder and bewilderment. Roaring sounds of Suzy the lion would wake up local residents in an otherwise quiet suburb in Christchurch. The mini zoo known as North Beach Zoo was situated at 153 Beach Road. A former aquarium it was re-imagined by Bill Grey who bought it in the late 50s.

Little is known about The Wizard of New Zealand who took centre stage in Christchurch's Cathedral Square from the 70s until the Christchurch earthquakes in 2011, which saw the city in a state of disrepair. A man who challenged political, social and cultural ideology, The Wizard posed provocative questions in this public space, much to the delight, and sometimes dismay, of passersby. But the background to why The Wizard was there in the first place has been something of a mystery... until now. Sonia Yee finds out more in this episode of Eyewitness. Anyone who visited Christchurch's Cathedral Square before the 2011 earthquakes will know of The Wizard of New Zealand - an iconic figure and mainstay of the city centre. Often dressed in a velvet kaftan and pointy black hat, the Wizard carried a wooden staff and performed on a step ladder that acted as his portable podium. Listen below to find out more about The Wizard and the mark he made on the history of Christchurch:

This year marks 100 years since the first radio transmission in New Zealand and the man behind it is also responsible for laying the foundation for the oldest radio station in the country - Radio Dunedin. Sonia Yee finds out why Radio Dunedin couldn't broadcast the weather during World War 2, and more... Radio has always been a form of entertainment that takes you somewhere else. And when longtime Radio Dunedin presenter, Lyndsay Rackley was a teenager, it provided the ultimate escape. 'I'd go to sleep with the headphones on and listen to YA and ZB and Life with Dexter," he says. Listen to the podcast to find out more Rackley says he feels lucky that he's been around for the past 60 years at Radio Dunedin which is due to celebrate its 99th birthday in the coming months. Considered one of the oldest stations in the world, it is the longest running station in New Zealand and five-weeks older than the BBC. And to this day has continued to run as an independent station since its inception in October 1922. But the reason the first station began in Dunedin is its connection to the first radio transmission in New Zealand, which came out of an Otago University lab 100 years ago, headed by Professor Robert Jack, who was the Head of the Physics Department. Together with some of his students he constructed a small transmitter with parts imported from Britain to create the first successful transmission on 17 November 1921. Professor Jack was a legend, and without him, Radio Dunedin may not have come into being, at least not so early. Gordon Paine who is the President of the Otago Radio Association and also a current presenter says in the early days Radio Dunedin, then known as 4XT, broadcast right through World War II. But there were restrictions in place. "They weren't allowed to broadcast the weather forecast in case the enemy heard it and decided it was a good day to bomb Dunedin." Paine volunteered for the first time at Radio Dunedin as a teenager. A big music fan, he says Radio Dunedin played the latest offerings from overseas, which other stations in NZ during the 60s and 70s didn't play. "Back in the 60s the music industry in New Zealand was strictly controlled, so a lot of our famous bands and singers were not doing their own material." Instead they were mimicking the big hits from overseas. And because of this, the international record companies wouldn't allow these overseas hits to come in. Through an exchange - Radio Dunedin was playing religious programmes from the States, in turn, they supplied the station with the latest records. As a volunteer, Paine also had a chance to meet one of his idols after he took over the Country and Western show… Go to this episode on rnz.co.nz for more details