Show Notes
On this episode, we have a 2 guest segment lined up. First up, Smokey Nelson is back in the studio to co-host. Smokey was the Gaffer on "Half Nelson" and "Blue Valentine". He's also the DP on "Neon Joe Werewolf Hunter". Our featured guest is a good friend of Smokey's, Luke Geissbühler. Luke Geissbühler is a Director of Photography best known for his work on Helvetica, The Borat Films, and Robots. With the power of these nerds combined, we touch on the differences between working on documentary films VS narrative films and how it can inform their style of cinematography. We also pick their brains on how they build their teams and hear some of their memorable troubleshooting stories from being on set. We can't wait for you to hear these two ramble about their years of experience, conveniently consolidated into a 2 hour window. ----- Buy us a drink!
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Natasha Braier's passion for cinematography began with a roll of 110 film that she got while on a family vacation. Her humble beginnings in Argentina informed her resourcefulness with the medium. With Deep Light, Natasha is tapping into years of experience to provide the tools to the next generation of DPs so that they can navigate on set politics and other responsibilities you don't learn about in film school. Tune in as we chat with Natasha about shooting The Neon Demon chronologically and the camera setups required to work on I Love Boosters. ----- Buy us a drink!
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WARNING: This episode includes SPOILERS from Macon's new film "IDIOTS", in theaters now.
Long before he was building wacky props for Boots Riley's "I Love Boosters", Christopher was storyboarding for commercials and feature films. His work has given him the opportunity to work with directors such as Sam Raimi, Ang Lee, Ron Howard, Spike Jonze, and more! Today, Christopher's love for film is expressed in the ability to create the suspension of disbelief through practical set builds and VFX elements. Tune in as we chat with Christopher about his career blending physical with virtual and why he keeps turning down the opportunity to work with Jon Favreau. ----- Buy us a drink!