
Show Notes
Alan Moore first gained recognition in the 1980s with his work for the comic 2000 AD, and DC Comic's Swamp Thing. He went on to create Watchmen, V for Vendetta, Batman: The Killing Joke, From Hell, an extraordinary take on the Jack the Ripper story, and The League of Extraordinary Gentleman. He's often been at odds with publishers and with Hollywood, and in recent years has removed himself from the mainstream, focusing on writing novels, esoteric pursuits, and the practice of a particular kind of Magic. This is a slightly unusual episode. It's a recording of an event we held last October as part of our London Month of the Dead festival. It features, Alan in conversation with the writer Gary Lachman and the artist John Coulthart. The occasion was the publication of 'The Bumper Book of Magic'. a kind of modern grimoire, which Alan had written with his friend the late Steve Moore (no relation), another writer of comics and fellow magic practitioner. It is a book that took 20 years to come to publication. John Coulthard was the main artist and designer of the book. Alan is somewhat of a recluse these days so it was great to have him with us to talk about the book, about his friend Steve Moore, about his practice of Magic, and about the unconscious, dreams, consciousness and creativity. Gary Lachman, a previous guest on this show, was once the bass player for Blondie before he put down the plectrum and picked up the pen, gave up rock'n'roll for writing, and has become the U.K.'s foremost writer on the Esoteric John Coulthart is a wonderful graphic artist who worked with Alan on many projects and is a cultural phenomenon in his own right We also hear from the audience with questions to Alan about his practice of magic. Our previous episode with Alan on Counterculture --- If you can contribute to this crazy endeavour, join our Patreon HERE Thank you to everyone who’s signed up to support the show —that means a lot. We have chosen not to carry ads here; it simply wouldn’t sit right with the spirit of the Bureau. But that does mean we can benefit from your support, in whatever form that takes, not just financial. Stephen
#counterculture, #alanmoore, #johncoulthard, #garylachman, #dreams, #magic, #magick, #magik, #paracelsus, #glycon, #stevemoore, #2000AD, #grimoire
More from Bureau of Lost Culture
Join our Patreon HERE --- Britain has always been home to people who live differently. Romani Gypsies, Irish Travellers, Showmen/women who carry the fairgrounds from town to town, families who made their homes on the waterways, and, more recently, the New Age Travellers who emerged from the 70s counterculture, the free festival movement and the rave scene.
If you're going to watch your local football team this weekend, or perhaps catch a big match on a TV screen in the pub, do you know that you may be unconsciously participating in an ancient ritual? And as you're shouldering your way to the bar from the mosh pit at some gig and grinning at those you pass, are you aware that the artist you were watching may be embodying some spirit of transformation? That was the radical proposal of the book The Death and Resurrection Show that Rogan Taylor published in 1985, a book that is exceedingly difficult to get hold of now but one that became the inspiration and touchdown for my guest in this episode. David Bramwell returned to the Bureau to talk about The Ghosts of the Medicine Show, the book he's written about the themes of Rogan Taylor's Death and Resurrection Show. It is also a personal memoir of something most of us can relate to -growing up and being transformed by seeing musicians and artists and actors. David asks: 'What if the musician, the actor, the clown, the circus performer, the rock star — even the celebrity — are the latest manifestations of something that began much, much earlier' For most of human history, before temples, books and organised religions existed, our ancestors lived as nomadic hunter-gatherers. Their knowledge could not be written down; it had to be remembered, performed and embodied. The figures who carried this knowledge were the shamans—storytellers, healers, singers, dancers, magicians and guides who used performance to preserve culture, bind communities together and lead people through experiences of suffering, transformation and renewal. Where are they now? We also get into football, funerals - and ABBA.. For more on David and The Ghosts of the Medicine Show --- We have chosen not to carry ads here; it simply wouldn’t sit right with the spirit of the Bureau. But if you can contribute to this crazy endeavour, Join our Patreon HERE
For centuries, it seems Britain’s magic mushrooms remained hidden in plain sight—growing in fields, parks, and hillsides. When knowledge of them did emerge, it passed between people through rumours, oral testimony, underground publications, and increasingly, reports of court cases. Robert Dickens of The Psychedelic Press came to the Bureau to tell the extraordinary story of the Psilocybe Pickers: the kids, the Psychonauts, the countercultural explorers, and amateur mycologists who helped elevate a small native fungus into part of Britain’s psychedelic history, folklore, legal case studies, and relationship with the landscape. We get into that, explode some myths, talk about the power of landscape, fairies and hear about a strange magic mushroom incident in the 18th century Psilocybe Pickers - A Short History of Bemushroomed Britons Myths of the Magic Mushroom - Interview with Andy Letcher More on Rob and The Psychedelic Press All Things Fungi Festival
Has 20th-and 21st-century physics moved away from the brute materialism of the nineteenth century toward ideas that resemble the world’s ancient mystical traditions? Might many of the discipline’s greatest figures — Einstein, Niels Bohr, Schrödinger, Heisenberg, Oppenheimer and others - have been privately motivated by philosophical and sometimes mystical questions about consciousness, reality and humanity’s place in the cosmos? Jonathan Black came to the Bureau to talk about A Secret History of the Universe - a countercultural narrative of science that has been obscured by a mainstream insistence on secular materialism, and one that reveals how biographers have routinely downplayed their subjects' metaphysical leanings. In 2007, after getting rejected by every major UK publisher, Jonathan's book The Secret History of the World became an international bestseller. The public resonated with an idea the publishers had not: the possibility that many pivotal cultural developments were shaped by ideas transmitted through occult rather than mainstream institutions, A Secret History of the Universe continues the theme. We get into all this and talk about consciousness, relativity, quantum physics, prayer, mystical experience, magic, and ideas as entities. For more on Jonathan and his work ------- Friends
She's 82 but is firing on all cylinders, still crazy after all these years, as Paul Simon sang, well, still crazy enough to believe the world can be changed for the better, that it's her duty to try to make that happen and crazy enough in her youth to try to levitate the Pentagon.