Show Notes
In this first episode of Season 4, SpokenWeb’s ShortCuts continues the tradition of starting a new season by diving into its own archives in order to hear what ShortCuts sounds like. What kinds of new stories and audio criticism can be produced through short archival clips? Join host and producer Katherine McLeod to listen to clips from Season 3 of ShortCuts as a way of asking what literary criticism sounds like through cutting and splicing sound. It is a short exercise in archival listening, and archival making.
More from The SpokenWeb Podcast
In this episode, producer Maia Harris and co-host Emily Stuchbery say goodbye to The SpokenWeb Podcast and introduce the all new Literary Listening Podcast.
This "farewell" podcast episode was recorded live at the SpokenWeb Institute on May 17, 2025, at the University of British Columbia Okanagan campus, Kelowna, BC. Producers Nick Beauchesne and Chelsea Miya, with host Maia Harris, lead an audio-visual journey exploring the roots and evolution of SpokenWeb's Symposia and Institutes from 2019 through 2025.
In this episode, producer Garin Falman reflects on the life of Kurtis Vanel.
Sonic Lit: A SpokenWeb Radio Show is a bi-weekly radio show on CJLO, the campus radio station of Concordia University (Tiohtià:ke/Montreal, Canada). Based on this project, Katherine McLeod and Jason Camlot produced this audio, "Listening on the Radio," as a radio-show-as-podcast-episode to answer questions about Canadian talk radio, podcasting, listening, and literature as audio – out loud.
How does timestamping shape the preservation and curation of literary sound? This roundtable episode brings together four SpokenWeb researchers––Jason Camlot, Tanya Clement, and Mike O’Driscoll in conversation with moderator Michael MacKenzie––to explore this deceptively simple yet profoundly complex question. What emerges is a layered, multidisciplinary view of timestamping, not just as a technical task, but as an archival, aesthetic, and philosophical practice.