Show Notes
In Germany, just under 29% of orchestral leadership roles are held by women; a trend seen worldwide.
As I celebrate some former Inline G guests achievements from the last week, I take a look at the gender disparity in the classical music industry, the arguments we commonly see online for it, and why they’re a load of bollocks.
Grma x
Zofia Neugebauer’s new single is out now on all streaming platforms! Marianna Busslechner’s Mozart performance can be found here:
https://www.youtube.com/live/w9xnkiO2PIk?si=8yAIT2A8DixUk4ql&t=5452
Cassie O’Hanlon’s Terrible Coronado Orchestra is on Facebook now!
Gill Flutes new challenge can be found on her socials!
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Chapters: 00:00 - Italia 90 05:33 - Zofia and Marianna 16:09 - Women in Classical Music 24:41 - Men in Classical Music 39:18 - Gill, Cassie and Hélène
More from The Inline G Flute Podcast
Misogyny and assault in classical music, Inline G vs Offset G, Pahud’s new record and the former USSR are the topics in this week’s rambling.
The online “coaches” who charge extorionate prices to unlock the secret of finding students are preying on vulnerable women as part of a pyramid scheme.
Certain classical musicians cosplay as liberal to benefit from queer spaces, and get found out by their inevitable support of Israel.
A prevalent stereotype exists of classical musicians, particularly singers, that they’re all big fat lads with viking horns. However beauty standards have never been higher in the industry, and nor have eating disorders.
After receiving some exciting news, I reflected on why I instantly felt a pang of anxiety and why classical musician’s systemically feel like this.