Show Notes
In the sapphic launderette play Spin Cycle, the washers are loaded and so are the questions. Penned by Zofia Zerphy, Spin Cycle is an absurdist exploration of intense connections, queer memory and lesbian storytelling. In this summer special, I am joined by Zofia and Rhiannon Bell, who play the main characters and speak to me about crafting a play in queer community, why queer narratives can operate in different realms of sense and meaning making, and why exploring flawed characters is vital to queer and trans representation.
References: Berserk Theatre The L Word Eternal Sunshine of the Spotless Mind Mitski’s “Washing Machine Heart” Act On Tap Bethan Rose Edinburgh Dyke Bar Ros Watt’s Trans People Are Awful Radclyffe Hall’s The Well of Loneliness Joe Carstairs
Questions you should be able to respond to after listening: Zofia and Rhi speak about the different responses queer and non-queer audience members had to the play’s absurdist elements. What do they say about queer narratives making sense and what is your take? Which trope(s) of sapphic storytelling do we mention in the episode? We speak about Spin Cycle using memory and forgetting in queer ways. What could queer memory mean? What does it mean to you? Rhi highlights the importance of showing flawed trans and nonbinary characters on stage. How do you feel about this? Can you think of another example of a flawed LGBTQIA+ character in literature or theatre? Have you ever seen yourself represented on stage? What was that like?
More from Queer Lit
Welcome, children of the night, to a particularly shameless spooky special all about an eternally queer-coded fan favourite: the vampire. RJ Wade and Sarah Prescott join me to speak about bookish bloodsuckers, raunchy revenants, and sapphic succubi. The dramatic reading of a yet unperformed Carmilla play had me at the very edge of my seat and I also learned a lot about both the cultural and the literary history of vampirism.
Have you ever thought about your age as being assigned at birth? In this episode, Simon(e) van Saarloos and I explore how queer thought might allow us to move beyond preconceptions of age, but also about the manifold and intersectional consequences of ageism. Simon(e) reflects on how trans narratives might work without reliance on linearity and why age is such a powerful category when it comes to agency.
We all know that trans people have existed throughout history, but what about before that? S.K. Marley does fascinating research on queerness and transness that predates written history and joins me to speak about what antler headdresses and wooden dolls might teach us about transness. We also discuss how transness, walking and wellbeing are entangled, which landscapes are the most nonbinary, and why ‘prehistory’ is a contested term in itself. Since we’re chatting in a beautiful park in York, this episode has some bonus bird song and squirrel mischief.
What does sound have to do with sexuality? C. Jade MacDonald has some fascinating insights on the queerness of noise, on trans voices in hyperpop, and on sound in literature. Learn about the queer kinship created by remixes and covers in contemporary music, but also about which sound technologies are historically entangled with sexology. My favourite bit: hearing about how Gertrude Stein resonates with SOPHIE.
Listen, this episode is as delightful as it sounds. Audiophile Stacey Copeland tells me all about feminist soundwork, radical radio, and lesbian podcasts – all of which Stacey writes about in the excellent new book Lavender Sounds. Tune in for the sonic histories, stay for the moment when Stacey illustrating the crafted intimacy of podcasts will make you a little weak in the knees. If you are interested in the politics and potential of audio media, you will absolutely love this episode.