Show Notes
Visible Cloaks’ music has long occupied a space between the natural and the synthetic: sounds that can feel tactile, architectural, intimate and slightly impossible all at once. With the release of Paradessence — the project’s first full-length album in nine years — I spoke with The Cloak’s Spencer Doran for a wide-ranging conversation about process, perception and the increasingly complicated act of listening. Spencer talks about the strange malleability of recorded sound; about mixing as an...
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Music can be wildly intricate and still sound like the most natural thing in the world. That is the sweet spot Brooklyn-based songwriter, multi-instrumentalist, producer and curator Taja Cheek, better known as L’Rain, hits. This genre defiance reaches a new high on her fourth album Fata Morgana. We get into the uncomfortable backdrop that sits behind making any art right now, and how a record can be “about the world” through the experience of living through it. Taja shares why her process i...
Lee “Scratch” Perry reshaped how people think about the recording studio. So when I heard that his final official album project came out of a three-day session in Berlin with legendary electronic duo Mouse on Mars, I headed over to Kreuzberg to talk to Jan St. Werner and Andi Toma to find out what happened. The duo have worked with everyone from Bon Iver to Stereolab to Mark E. Smith, made classic leftfield records like Niun Niggung, Idiology and Dimensional People and have always approached ...
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