Show Notes
Grammy-nominated producer and DJ, Nic Fanciulli, talks to James about growing up in an Italian household with a footballer dad, wanting to become a footballer himself, and then how he found himself pursuing and succeeding in a career in music instead. Nic speaks of his favourite places he's performed around the world, the nerves he still gets before a set, and how the industry has had to diversify and change in the past year.'MEDIUM RARE' feat Andrea Oliva F is available to listen to now on Spotify, SoundCloud, and any other music streaming service. Find Nic on nicfanciulli.com or @nicfanciulli on Twitter.James Haskell's What A Flanker is out now in print, ebook and audio. See acast.com/privacy for privacy and opt-out information.
More from Amuse Douche with James Haskell
Prepare to be entertained, surprised, and thoroughly amused as James Haskell takes to the stage with his first full-length 35-minute comedy set.
It’s the last episode of Amuse Douche before James’ full length set. Luckily, he’s teamed up with the brilliant comedian Suzi Ruffell to explore the power of comedy in breaking down barriers. Together, they delve into the often unspoken challenges faced by comedians, particularly when confronting misogyny and homophobia.
As the twenty minute live set draws closer, another comedian takes a look at Hask’s previous eight minutes. This time, it’s former dominatrix and American comic Desiree Burch who casts her eye over his material. A far cry from the prudish British stereotype, Desiree isn’t afraid to tackle provocative subjects and speak her mind - so what will she make of James’ work? And has he finally met his match in comedy?
Seven weeks in and the reality of having to do a 20-minute set is hitting James hard. So he decides to share his eight minute set with today’s guest Jordan Gray, to get some constructive criticism alongside her advice.
For Hask, today’s episode feels like meeting an old mate at the pub. But what comedian, actor and classically trained singer Lloyd Griffith teaches him, is that in comedy, this could be a recipe for disaster. What’s funny in the pub with your mates isn’t always funny on stage, and vice versa.