Are We In An Elizabeth Holmes Fever Dream?

The discussion centers around the film "You Can See Everything," a documentary featuring Elizabeth Holmes, which has sparked significant buzz during the awards season. Critics are divided, with some praising its ambition while others, like journalist Liz Plank, express concerns about its length and authenticity. Plank argues that the film, while visually striking, fails to deliver a genuine documentary experience, instead presenting a narrative that manipulates both its subjects and the audience.

Plank critiques the film's portrayal of Holmes, suggesting that it inadvertently normalizes her unethical behavior by framing her as a victim rather than addressing the serious consequences of her actions. She highlights the discomfort in how Nathan Fielder, the film's creator, interacts with Holmes and other women, suggesting a troubling dynamic that reflects broader societal issues of exploitation and manipulation. The conversation also touches on the film's implications within the context of Hollywood's relationship with tech culture, questioning the motivations behind its production and the messages it conveys to viewers.

Ultimately, the discussion raises critical questions about the ethics of storytelling in film, particularly when it involves complex figures like Holmes, and challenges the audience to consider the narratives being constructed around powerful women and the men who document their stories.

‘You Can See Everything’ has totally taken over our corner of the internet.

The new documentary about disgraced Theranos founder Elizabeth Holmes has garnered plenty of critical acclaim and awards buzz. But it also ignited many questions about grift and glorifying bad behavior. Did directors Lance Oppenheim and Nathan Fielder exploit or absolve Holmes? Can you call the film a documentary? Did we really need another Elizabeth Holmes project?

Sam chats with journalist Liz Plank about the film’s complicated gender dynamics around crime, power and victimhood.

Check out Liz’s review of the film on her substack Airplane Mode.

The Sam Sanders Show is a production of KCRW and Sam Sanders Productions.