
Show Notes
Patreon is here. [https://www.patreon.com/c/deathphotopod]
Today's DPP episode explores the little-known 1994 feature by multi-media artist Jessica Hagedorn – Fresh Kill.
Recycling, sushi, yuppies, toxic waste, nameless megacorporations, ethical hacking – Staten Island – Fresh Kill has it all, wrapped up in a dissonant prose-poem of a script.
But did the world really turn into the endlessly diffused and globalised set of networks that Hagedorn predicts?
Find out in today's episode.
More from Death is a Photograph
Patreon here. [https://www.patreon.com/c/deathphotopod]
After a year, your hosts are ready to wrap Gen X. Season One is at a close. What did we learn about the self-professedly forgotten generation? What has Banksy to do with the spirit of the age? And, most importantly we answer the question that started it all: how did the dirty girls end up in the K-Hive?
DPP is back, baby — and this time for an encore. Chase and Sam thought they'd round out the season — find a 'capstone', if you will — for the last year. That pediment takes the form of Chris Smith's fly-on-the-wall documentary American Movie (1999).
Fear the coming of the trilby. Yes, that's right — today, in the last episode of our first season, we're looking at Gen X accelerating towards middle age and a crash encounter with those coming up behind them: millennials.