
Show Notes
Whether you share them, prefer them or avoid them – pronouns are everywhere. As Laura Paterson, a linguist who specialises in pronouns, tells us, this is a. because they are an essential part of grammar and b. because they are particularly sexy right now. Laura tells us what exactly a pronoun is and why third-person personal pronouns can cause so much controversy, despite the fact that their main job is just to point to things.
References: Paterson, Laura L. The Routledge Handbook of Pronouns. (Routledge, 2024) Paterson, Laura L. and Gregory, Ian N. Representations of Poverty and Place: Using Geographical Text Analysis to Understand Discourse. (Palgrave, 2018) Paterson, Laura L. British Pronoun Use, Prescription, and Processing: Linguistic and Social Influences Affecting 'They' and 'He' (Palgrave, 2014) Ann Leckie Marge Piercy’s Woman on the Edge of Time Ashley Reilly-Thornton Susan Stryker Lal Zimman Gardelle, Laure. “Pronoun Activism and the Power of Animacy” The Routledge Handbook of Pronouns. (Routledge, 2024) Journal of Language and Discrimination (https://journal.equinoxpub.com/JLD) Dennis Baron’s What’s Your Pronoun (Liveright, 2020) Chloe Benjamin’s The Immortalists (G.P. Putnam’s Sons, 2018)
Questions you should be able to respond to after listening:What is a pronoun? Why can pronouns ‘humanise’ characters? Which two uses of singular they do we speak about? Can you think of others? When might the pronoun ‘it’ become important in activism? What are combined pronouns and why are they no longer in fashion? What are some considerations around pronoun sharing that Laura touches on? How do you feel about this?
More from Queer Lit
Welcome, children of the night, to a particularly shameless spooky special all about an eternally queer-coded fan favourite: the vampire. RJ Wade and Sarah Prescott join me to speak about bookish bloodsuckers, raunchy revenants, and sapphic succubi. The dramatic reading of a yet unperformed Carmilla play had me at the very edge of my seat and I also learned a lot about both the cultural and the literary history of vampirism.
Have you ever thought about your age as being assigned at birth? In this episode, Simon(e) van Saarloos and I explore how queer thought might allow us to move beyond preconceptions of age, but also about the manifold and intersectional consequences of ageism. Simon(e) reflects on how trans narratives might work without reliance on linearity and why age is such a powerful category when it comes to agency.
We all know that trans people have existed throughout history, but what about before that? S.K. Marley does fascinating research on queerness and transness that predates written history and joins me to speak about what antler headdresses and wooden dolls might teach us about transness. We also discuss how transness, walking and wellbeing are entangled, which landscapes are the most nonbinary, and why ‘prehistory’ is a contested term in itself. Since we’re chatting in a beautiful park in York, this episode has some bonus bird song and squirrel mischief.
What does sound have to do with sexuality? C. Jade MacDonald has some fascinating insights on the queerness of noise, on trans voices in hyperpop, and on sound in literature. Learn about the queer kinship created by remixes and covers in contemporary music, but also about which sound technologies are historically entangled with sexology. My favourite bit: hearing about how Gertrude Stein resonates with SOPHIE.
Listen, this episode is as delightful as it sounds. Audiophile Stacey Copeland tells me all about feminist soundwork, radical radio, and lesbian podcasts – all of which Stacey writes about in the excellent new book Lavender Sounds. Tune in for the sonic histories, stay for the moment when Stacey illustrating the crafted intimacy of podcasts will make you a little weak in the knees. If you are interested in the politics and potential of audio media, you will absolutely love this episode.