Show Notes
Spine 700, can you believe it? We've been doing this for a long time. Criterion rewards our dedication with an overly full release of Wes Anderson's adaptation of Roald Dahl's Fantastic Mr. Fox (2009). Mark Gustafson is animation director of this animated movie, but this is less a Tim Burton's Nightmare Before Christmas situation than a Guillermo del Toro's Pinocchio, the former of which is a Henry Selick movie that gets mistakenly attributed to the producer and the later of which Gustafson actually has credited co-director status on because Del Toro respects artists. Gustafson and the animation team bring Wes Anderson's vision to life to create one of the most Wes Anderson-y movies Wes Anderson has ever made.
More from Lost in Criterion
This week we have our first film from Agnes Varda's husband Jacques Demy and our second film called Lola. Kicking off The Essential Jacques Demy boxset we have his feature length debut Lola (1961) a "musical without the music" except for one very musical number written by Varda. This week the Collection also gives us 4 short films and while we are immediately in love with the work of Demy, at least one of the shorts puts that love to the test. Fortunately, for every profile of a modern saint there's also one about a rural shoemaker.
Sometimes years of doing the podcast align in fun ways and we get to talk about David Cronenberg's Scanners (1981) in October without moving anything around. Scanners is a smorgasbord of body horror effects that starts with a bang and keeps going. But it's also a Parallax View-esque political thriller with murderous psychics. That is to say, it's great.
Pat is a huge fan of the Beatles, which he inherits from his dad, and which he this week fails to pass on to his own children. Richard Lester's A Hard Day's Night (1964) is a movie those kids should like; it's fun and funny, it's The Beatles just on the cusp of being THE BEATLES. Popular as anything already, but not quite bigger than Jesus yet. The film is an interesting look at how that popularity is a prison for four guys in their early 20s.
Georges Franju's homage to/remake of Louis Feuillade's 1916 serial, Judex (1963) is a dreamy tale of revenge full of contrivance and illogic and every single frame is a masterpiece. Encountering films like this is biggest reward of doing the podcast.
Howard Hawks directs this grand western in which Montgomery Cliff maybe introduces Hollywood to The Method and John Wayne learns to act. It's a story about greed and America but it's not an open critique because it would be bad if we said America is bad. If nothing else John Wayne would quit the production.