Gig Gab - The Working Musician's Podcast

The Hidden Work of Fun: Systems for Working Musicians with Richard Page

Gig Gab - The Working Musician's Podcast

Show Notes

You love the music, but being a working musician comes with friction, and this episode tackles it head-on. You dig into the real difference between tribute bands and celebration projects, how to prep when multiple gigs stack up fast, and why anxiety creeps in when preparation gets sloppy. You explore how much rehearsal is enough, when studio versions help versus live recordings, and why fun disappears when expectations are unclear. The big takeaway is simple: intention matters. When you walk into rehearsal with a plan, a personal worklist, and shared expectations, you protect your energy and stay focused on what matters most. That focus is how you keep growing while Always Be Performing.

From rehearsals to gig day, you learn how systems save your sanity. You hear why rehearsal recordings only work if someone is actually assigned to listen, how shared calendars prevent chaos, and why group texts quietly sabotage bands. You break down practical tools for managing gigs, promotion, and communication, from punchlist spreadsheets to task masters who own the details. You even get into tech expectations for bandmates and why alignment matters more than gear. The message is clear: externalize the details, reduce decision fatigue, and free your head to show up present, prepared, and confident on stage.

00:00:00 Gig Gab 514 – Monday, December 29th, 2025

December 29th: Tick Tock Day

Guest co-host: Richard Page

00:02:03 Richard’s got some tribute shows happening

The difference between a tribute band and a celebration project

Pure Petty, Hot Atlanta, Remedy at Ardmore Music Hall

Rocks This Way

00:06:07 Dave’s got three different shows to learn and play in 2 weeks

The anxiety of preparing for too many gigs at once

When prepping celebration shows, do you do all studio? Some live?

00:24:33 SPONSOR: Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at rula.com/giggab #rulapod

00:26:19 NAMM coming up!

GG Coverage Sponsor: Ultimate Ears Pro!

00:26:55 Being a working musician comes with a lot of friction to have fun

00:28:48 Setting rehearsal intention

Have a plan!

Be careful of repeating songs and consuming time

Set expectations. Ensure everyone arrives on the same page.

Keep a “personal worklist” note going on your phone during rehearsals

00:33:41 Maximizing rehearsal recordings

Rotate between band-members for listening to rehearsal recordings

You inspect what you expect!

00:38:49 Scheduling rehearsals

Use a Google Calendar

00:42:36 Inter-band communication

Group Messages…SUCK (especially now with RCS, that was supposed to fix it)

You’ve gotta have a task-master!

WheresTheGig.com

BandHelper

00:50:46 Creating a Spreadsheet punchlist for gigs

Keeps you from forgetting the Facebook event, the mailer, etc

Using BandsInTown for Artists

00:55:55 Tech requirements for new band members

Green Bubble Prejudice!

01:02:12 Three iPads

Stage Ninja Clamp for iPad

forScore

01:10:17 Gig Gab 514 Outtro

Follow Richard Page on Facebook

Remedy

Dead Band

Rocks This Way

Contact Gig Gab!

@GigGabPodcast on Instagram

[email protected]

Sign Up for the Gig Gab Mailing List

The post The Hidden Work of Fun: Systems for Working Musicians — Gig Gab 514 with Richard Page appeared first on Gig Gab.

More from Gig Gab - The Working Musician's Podcast

Oct 19, 2026

Your fellow working musicians just handed you a year’s worth of gig hacks, and this week Gig Gab pulls the best listener tips from Instagram and Facebook into one episode. You’ll get a hand-raise monitor check that knocks out soundcheck in minutes, a dedicated soundcheck song for when the room’s already full, and the mixing moves pros swear by: high-pass the bass at 80 Hz, sidechain it to the kick, and carve 2.5 kHz out of everything else so the vocals cut through. Then you’ll build a smarter set list. Space out the songs that wreck your singer, keep a back-pocket list of crowd-grabbers, mark who sings lead for the sound person, and track song lengths so you never blow past curfew.

Oct 12, 2026

Megan Ihnen and Alan Theisen of Neonautica went from contemporary classical recitals to headlining dubstep parties in New Orleans, and they brought a theater kid’s discipline with them. You’ll hear how they split band duties so nobody has to wonder who’s handling what, why the only correct response to a note is thank you, and why there’s no such thing as a good or bad sound, only the sound you meant to make and the one you didn’t. They also explain why they wrote an hour-long set the way a composer writes a symphony, and what it means to control the room instead of just reading it.

Oct 5, 2026

Chris Cron posted what he thought was a one-off video about how to sound like the Beach Boys, set his phone down, and came back to 10,000 views. A few days later it was near a million. A few years later, he’s a touring member of the actual Beach Boys. Chris joins Dave to show you what was underneath that “overnight” success: a full-time session vocalist gig since 2018, years of throwing content at the wall, and the social media lessons that made one video stick: Frame your post as a question, reply to every comment, and treat the haters as fodder for a lesson or a laugh. From there, the path runs through a John Stamos follow, a coffee with the band’s musical director, a one-off Post Malone fill-in, and a phone call you don’t say no to. When the once-in-a-lifetime opportunity shows up, you throw the door open wide.

Sep 28, 2026

Every club at SXSW sounds good, every night, all week, and we’ve often wondered how they maintain that consistency. This week Dave finally gets the answer from Nate Cross, SXSW’s Director of Production, who went from intern to Assistant Production Manager to running the whole show. You’ll hear how his team builds out 55 to 60 venues (down from 100+ before the pandemic), why they mic everything even when it looks like overkill, and how 20-minute changeovers actually run on time with bands who’ve never met. Then there’s the backline story: trading the free band beer for a drum kit and amps at every venue, which enhanced everything.

Sep 21, 2026

Skylar Hamilton is back by popular demand for round two of your questions, recorded across an Airbnb kitchen table in New York City where a roll of paper towels doubles as a mic stand, because it’s the right height and it kills table rumble.

See all episodes →