Show Notes
“Marty Supreme” is a box office and critical hit. The film just received nominations in many of the most coveted Oscar categories — best picture, director and actor. And Wesley is glad about all of it. He loved the movie and its shameless protagonist, Marty Mauser.
But it turns out that a lot of people going to see this movie don’t share his feelings. In fact, a lot of them hate it. And much of that seems to have to do with a hatred of Marty himself.
Wesley’s friend and a culture editor at The New York Times Magazine, Sasha Weiss, thinks people may be missing the point. Which, to her, has a lot to do with the Jewishness of the film. She joins Wesley to talk it out.
More from Cannonball with Wesley Morris
This week’s episode will be about the New York Times list of the 100 Best TV Shows of the 21st Century (full list here). See you tomorrow!
Singer-songwriter Ella Langley’s country tune “Choosin’ Texas” entered the Billboard Hot 100 chart last November, and it hasn’t left. It’s just tied the record for the most nonconsecutive weeks at No. 1: 22 . (Sorry, Mariah Carey.)
It has been 25 years since the attacks on Sept. 11, 2001, and Wesley has been reflecting on what has changed since then — particularly when it comes to comedy.
This year’s summer movie season proved that the “Toy Story” franchise still has some juice, that “The Odyssey” can spark endless debates, and that “The Invite” might be the sleeper film of the year.
Anita Baker’s second album, “Rapture,” was released in 1986 and became a breakout hit for the R & B singer from Detroit, winning two Grammys and selling eight million copies worldwide. The album’s eight tracks defined her signature sound — what Baker liked to call “fireside love songs with jazz overtones” — and solidified her as a giant of the Quiet Storm radio era.