Show Notes
Following up on Episode 51, Allen turns a cultural-history lens onto the Quartz Crisis for a look at how quartz watches fit into the broader context of the 20th Century. Using his formal essay format, Allen contextualizes The Quartz Crisis as just one of many technological disruptions that ultimately culminated in the so-called Digital Revolution of the 21st Century.
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Farewell, and thank you all for listening. The Aesthetic Revolution Will Be Beautiful!
Allen and Rikki lament and celebrate the current world of watches in equal measure, covering the rise of fashion and red-carpet nonsense to the role of modern materials in high horlogy.
Allen could no longer resist the forces of gravity at the center of the horological universe, and now he is broadcasting from the within the Rolex Black Hole. He has sold off swaths of his collection and aquired two five-digit Rollies. An unexpected turn in Allen's journey, and perhaps one from which he can never return. Has he sold out or bought in?
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A watch movement made to exacting standards by a robot on Mars working for a third-party alien corporation might turn out beautiful, precise, complicated and fascinating. Barring production on a more distant planet, no movement could be further from "in-house." This hypothetical Martian movement would absolutely trounce, say, a cheap Seiko movement made "in-house" by actual Japanese robots. I'd take the third-party Martian movement any day, and I bet you would too.