Show Notes
There was a phony article going around that Jello Biafra was going to reunite with East Bay Ray and Klaus Flouride to once again be The Dead Kennedys. It's not true, but why do the DKS have such beef? Let's examine some of the feud with this Jello Biafra interview about the legal case involving a lawsuit between band members. FRUMESS is POWERED by www.riotstickers.com/frumess JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess 📹 OR SUPPORT THIS CHANNEL, BUY A CUP OF COFFEE ☕ https://ko-fi.com/frumessfilmsllc The Dead Kennedys were one of the most influential punk bands of all time, blending politically charged lyrics with aggressive, fast-paced music that defined the hardcore punk scene of the late 1970s and 1980s. Formed in San Francisco in 1978, the band consisted of Jello Biafra (vocals), East Bay Ray (guitar), Klaus Flouride (bass), and Ted (Bruce Slesinger) on drums, later replaced by D.H. Peligro. Their music was a direct attack on corruption, hypocrisy, and the establishment, making them both loved and controversial.The Dead Kennedys released iconic albums such as Fresh Fruit for Rotting Vegetables (1980), Plastic Surgery Disasters (1982), and Frankenchrist (1985). Songs like "Holiday in Cambodia," "California Über Alles," and "Kill the Poor" became anthems of rebellion. However, their radical messages often led to backlash, including the infamous obscenity trial over the Frankenchrist album, due to the inclusion of artist H.R. Giger’s controversial poster "Penis Landscape."Despite their success, internal conflicts began to emerge, particularly between Jello Biafra and the rest of the band. In 1986, Dead Kennedys disbanded, but their legacy endured. However, the band’s legal battles began in the late 1990s when East Bay Ray, Klaus Flouride, and D.H. Peligro sued Jello Biafra, accusing him of withholding royalties from their Alternative Tentacles label. The lawsuit ended in 2000 with Biafra losing the case, and the remaining members won rights to the Dead Kennedys’ name and music.Since then, Dead Kennedys have continued without Jello Biafra, touring with various singers, including Ron "Skip" Greer. Meanwhile, Biafra has remained a strong political voice, performing with his band Jello Biafra and the Guantanamo School of Medicine and speaking out on activism, censorship, and government corruption.The Jello Biafra vs. Dead Kennedys legal battle remains a sore point in punk history, raising questions about artistic integrity, band ownership, and the commercialization of punk rock. While some fans view the Dead Kennedys' continued performances as a cash grab, others appreciate hearing the classic songs live. What do you think? Was the lawsuit justified, or did it tarnish the band’s legacy?
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Mickey Leigh talks about his brother Joey Ramone, Johnny Ramones and the Ramones as a whole with Jeff Frumess. JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess 📹 OR SUPPORT THIS CHANNEL, BUY A CUP OF COFFEE ☕ https://ko-fi.com/frumessfilmsllc He wasn’t your typical frontman. Tall, gangly, shy, and plagued by obsessive-compulsive disorder, Joey Ramone was never meant to be a rock star. But his vulnerability, authenticity, and unforgettable voice became the soul of a movement. As the lead singer of The Ramones, Joey didn’t just help invent punk rock—he gave it its heart.Born Jeffrey Ross Hyman in 1951 in Queens, New York, Joey grew up immersed in 1960s rock, glam, and bubblegum pop. When he joined forces with Johnny, Dee Dee, and Tommy Ramone in 1974, the world wasn’t ready for what they were about to unleash. The Ramones played loud, fast, and short—songs stripped to the bone, driven by a beat you couldn’t ignore. But it was Joey’s distinct voice—half sneer, half croon—that gave the band a strange beauty.Joey’s look—leather jacket, dark sunglasses, ripped jeans, and long black hair—became a uniform for generations of punks. But beyond the image was an artist who channeled his anxiety, outsider status, and love for melody into songs that connected across borders and backgrounds.From iconic tracks like “Blitzkrieg Bop”, “I Wanna Be Sedated”, and “Rockaway Beach” to deeper cuts like “Danny Says” and “Poison Heart”, Joey delivered both rage and vulnerability. His lyrics often reflected the pain of alienation and the thrill of rebellion, all with a sense of humor that set The Ramones apart.Despite the band’s foundational role in punk history, they were rarely commercially successful during their time. Internal tensions, especially between Joey and Johnny, defined much of the band’s later years. But Joey stayed committed to the music, even when it didn’t make him rich or comfortable. He was punk before it was a brand—and long after it became one.After being diagnosed with lymphoma, Joey began working on a solo album. He passed away on April 15, 2001, just shy of 50. His posthumous solo album, Don’t Worry About Me, was released the following year, featuring a poignant cover of “What a Wonderful World.”Joey Ramone was inducted into the Rock and Roll Hall of Fame in 2002 with the other Ramones. A block of East 2nd Street in NYC is now named Joey Ramone Place—a tribute to the outsider who gave voice to misfits everywhere.🎸 Joey’s legacy isn’t just in the records—it’s in every garage band, every kid in a leather jacket, and every voice that dares to sing even when it shakes.
In 1987, Paul McCartney invited Elvis Costello to write songs together. Over a series of sessions, they created a body of work from which both artists pulled selections for various albums over the years. The songs written by this partnership were used to augment their own individual work, filling in cracks when either member needed a different voice or perspective while creating the story of a complete album. JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess 📹 OR SUPPORT THIS CHANNEL, BUY A CUP OF COFFEE ☕ https://ko-fi.com/frumessfilmsllc What happens when one of the greatest songwriters of the 20th century partners with one of the sharpest lyricists of the punk and new wave era? Between 1987 and 1990, Paul McCartney and Elvis Costello teamed up in a brief but electrifying songwriting partnership that echoed the magic of Lennon-McCartney while carving out its own distinct legacy. Though often overshadowed by McCartney’s Beatles past, this collaboration stands as one of the most inspired pairings in modern music history.After the death of John Lennon, McCartney continued his solo career with success, but many fans felt he lacked the dynamic creative tension that once made his Beatles material so legendary. Enter Elvis Costello, a critically acclaimed singer-songwriter known for his razor-sharp lyrics, wit, and genre-blending approach to music. In 1987, McCartney invited Costello to collaborate—and the result was a creative spark that drew comparisons to Paul’s partnership with Lennon.Working together in studio sessions—just two voices, two guitars, and notebooks full of ideas—McCartney and Costello wrote nearly a dozen songs. The chemistry was instant. Costello’s biting lyricism challenged McCartney to dig deeper emotionally, while McCartney’s melodic mastery added warmth and balance to Costello’s edge. The dynamic created a fresh, modern take on traditional pop songwriting, infused with punk-era honesty and classic McCartney hooks.Songs from their sessions would appear on McCartney’s 1989 album Flowers in the Dirt, including standout tracks like “My Brave Face,” “That Day Is Done,” “Don’t Be Careless Love,” and “You Want Her Too.” Costello also recorded his own versions of the co-written songs, including the hit single “Veronica” on his 1989 album Spike. Their demo recordings—many of which were later released on the 2017 reissue of Flowers in the Dirt—offer a raw, stripped-down glimpse of their creative process.Although the partnership was brief, it was incredibly productive. However, creative tensions emerged. Costello’s confrontational style—pushing Paul to return to more minimalist production and raw emotion—clashed with McCartney’s polished studio habits. Still, both men acknowledged the power of their songwriting chemistry. McCartney called the collaboration “a return to roots,” and Costello has said that their writing sessions remain among the most fruitful of his career.While McCartney ultimately opted to work with multiple producers and co-writers for his final album, the material co-written with Costello remains a high point in his post-Beatles catalog. Critics praised the songs for their lyrical depth and melodic strength—proof that the former Beatle still had plenty to say and a perfect creative foil to bring it out.
A routine shopping trip turned into a humiliating legal nightmare for one Walmart customer after she was wrongly accused of shoplifting, despite having proof of purchase. The incident has since gone viral, igniting discussions around consumer rights, emotional distress claims, and legal options for victims of false accusations. JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess 📹 OR SUPPORT THIS CHANNEL, BUY A CUP OF COFFEE ☕ https://ko-fi.com/frumessfilmsllc
Nic Cage says he gets mistaken for you. Does Nick Cave get mistaken for Nic Cage?FRUMESS is POWERED by www.riotstickers.com/frumess
The CBGB Festival celebrates New York City’s gritty, sticker-covered past through the lens of the modern punk era, with a lineup bridging punk’s origins to its future torchbearers. FRUMESS is POWERED by www.riotstickers.com/frumess JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess 📹 OR SUPPORT THIS CHANNEL, BUY A CUP OF COFFEE ☕ https://ko-fi.com/frumessfilmsllc Under The K Bridge was hand-selected as the perfect venue, both for its location in the cultural hub of Brooklyn and for the gritty industrial nature of the site itself. Expect a jam-packed full day of 20 bands across 3 stages, vintage and new merch collections, tons of local food & beverage options, and expansive CBGB installations including relics from the original club.Founded in 1973 in Manhattan's East Village, CBGB was ground zero for the seminal punk rock and new wave movements, launching the careers of bands like the Ramones, Blondie, Talking Heads, Television, Patti Smith Group, and The Beastie Boys. During the 1980s CBGBs would become home to the hardcore punk revolution, and in the 1990s the club featured early shows from some of the biggest grunge and metal bands. Over the past 50 years, CBGB has become the most famous, influential, and talked about rock & roll club of all time. While the Club closed in 2006, CBGB and its iconic logo continue to personify underground and alternative music and all that it still stands for.