Show Notes
With the election just days away, host Brian Stelter is joined by Vanity Fair executive editor Claire Howorth and politics correspondent Bess Levin to talk about the vibes going into November 5, why this particular election is so close and so stressful, some down-ballot races you should keep an eye on, and how the media will likely approach election night. The team agrees, "Hope is a terrible thing to waste," and confidence is too terrifying to project. Instead, they discuss some good reasons people might go into Election Day with a positive attitude and ways to keep calm as we await results.
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Every day a new scientific breakthrough or existential threat seems to make the world more aware and more distrusting of an AI future that we’re told is rapidly approaching—whether we like it or not. And nobody is more recognized as the face of artificial intelligence—as a technology, an industry, and a civilizational shift—than Open AI founder and CEO Sam Altman. Long before he became a household name, Altman established a towering reputation in Silicon Valley: persuasive prodigy, visionary futurist, relentless CEO. But as OpenAI’s influence broke out of tech’s insular bubble, some of the very same traits that served him well in Northern California have become his greatest liabilities. In a far-ranging conversation taped in San Francisco on September 11th – the first of two sitdowns with Vanity Fair’s Mark Guiducci – Altman discusses his views on ChatGPT and suicide prevention, safety breaches, and the film ‘Artificial,’ in which Andrew Garfield plays him—along with much more. “I understand the instinct to say, ‘I don't want the change, I don't want the risk. Just stop it,’” Altman says. “I really hope that hundreds of years from now people look back at our lives and just can't believe how bad we had it.”
In this second of two sitdowns with Vanity Fair’s Mark Guiducci, taped in San Francisco on October 2nd, OpenAI’s Sam Altman discusses the ‘accord’ signed by AI leaders and President Trump, defends his company’s record on safety-related slowdowns, and clarifies how he’d like to be remembered as the story of this era of technology is written. “I'm going to make many individual decisions you clearly won't like,” Altman says. “But if you look at the trajectory of what we have done over the last many years we've been offering this, it's imperfect, but I think remarkably good relative to what I feared it could have been.”
Listen to and follow Fair Game from Vanity Fair on YouTube or wherever you get your podcasts.
On the first episode of Fair Game, Vanity Fair’s new interview show, Mark Guiducci sits down with actor, writer, and director Colman Domingo for a conversation about Colman’s career, sense of style, and philosophy on the world. They touch on Colman’s role as a peacemaker on the set of Euphoria, his performance as Joe Jackson in Michael, and his early work in a political children’s circus where he played a salamander on stilts. “I've had to build this career,” Domingo says. “There's no career that looks like mine. No one writes musicals and plays and directs and acts and sings and dances… I created this space for myself. But it's not because I wanted to, it's because I had to”
Five family members, murdered. A sixth in prison for life. It’s one of Britain’s most infamous crimes. But did the justice system get it wrong? “Blood Relatives,” a six-part series from In the Dark, is coming on October 28th.New Yorker subscribers get early, ad-free access to “Blood Relatives.” In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app.In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com.