Show Notes
To kick off the new season, I’m joined by the brilliant Lee Cole, whose writing captures the heart, complexity, and contradictions of contemporary America. Raised in rural western Kentucky, Lee’s fiction explores themes of identity, class, and belonging with a rare mix of tenderness and clarity. In this episode, we talk about the power of literature to reveal lives and landscapes we might never otherwise encounter, and why writing about home can be both fraught and freeing. If you love stories that dig deep into the cultural and emotional terrain of modern life, you won’t want to miss this conversation. As always, Lit with Charles loves reviews — if you enjoyed the episode, please consider leaving one and help spread the word. You can also follow me on Instagram at @litwithcharles for more literary takes and behind-the-scenes extras. Lee’s book picks from the episode:
What We Talk About When We Talk About Love – Raymond Carver (1981) A Good Man is Hard to Find – Flannery O’Connor (1953) Nickel and Dimed: On (Not) Getting by in America – Barbara Ehrenreich (2001) The End of Vandalism – Tom Drury (1994)
More from Lit with Charles
Religion, artificial intelligence and a particularly terrifying lunch date are on the menu this week. Liv has been reading Jeanette Winterson’s Oranges Are Not the Only Fruit, while Charles tackles Pope Leo XIV’s thoughts on AI and the relationship between humanity and technology.
Marguerite Duras and Philip K. Dick make for an unlikely pairing this week, as Charles and Liv compare notes on The Lover and A Scanner Darkly. Then, things get stranger with a trip through the extraordinary life of Victor Hugo – a man whose habits involved live bats, raw lobsters and some deeply questionable party tricks.
This week, Charles and Liv discuss Gisèle Pelicot’s harrowing memoir A Hymn to Life and Alan Bennett’s brilliantly subtle Talking Heads.
This week, Charles and Liv discuss Carmen Maria Machado’s In the Dream House and Kamel Daoud’s controversial novel Houris, exploring the Algerian Civil War and the strange story surrounding the book.
This week, Charles and Liv discuss Ian Fleming’s For Your Eyes Only, Clarice Lispector’s strange and brilliant The Hour of the Star, and why some books are better read like poetry. They also uncover John Steinbeck’s unpublished werewolf novel and debate whether authors’ work should ever be published against their wishes. Plus, they answer a listener question: what would you change about contemporary book culture? From endless “best books” lists to the pressure to read 100 books a year, Charles and Liv have a few complaints.