Show Notes
The guys pick up where they left off, with Vinnie settling the record on some yellow journalism that's been circulating since last episode — and Brendan may or may not be heading to HR for a pre-show text that nearly ended the whole thing before it started. From there, the crew sits down for a full Pop the Trunk Pause, watching and breaking down the music video for "Cheese Steaks" off God of the Serengeti in real time. Billy directed it, and the behind-the-scenes stories are as raw as the footage — zero budget, gorilla-style, GoPro on a barbershop floor, Vinnie being dragged out of Liberty Bar every twenty minutes to shoot scenes he didn't want to do. Vinnie opens up about the sophomore slump anxiety going into God of the Serengeti, how the Beat Nuts beat became an anthem, and why at this point in his career, making videos painless is non-negotiable. The episode closes with listener mail, a full Brendan Long roast courtesy of the comments section, a tease of upcoming boxing content, and Vinnie going to war with the podcast's email address.
More from Pop the Trunk
Brooklyn’s own Goretex of Non Phixion, aka Lord Goat, joins Vinnie and the guys on this week’s episode. Vin and Gore are two road dogs who go back decades and swap stories that never made it into interviews: haunted hotel rooms in Germany, a dinner in Italy that turns into a time warp, lost luggage that defies the odds, and a backstage night in Oslo nobody should’ve survived. Then it’s back to Canarsie and Flatlands, where Gore grew up around some of the neighborhood’s darkest lore. All that and more on Episode 35 of Pop the Trunk with Vinnie Paz. 📬 [email protected] 📸 IG: @popthetrunk.pod 🛒 Merch: VinniePaz.com
The guys tackle whether white boys are guests in hip-hop, and the answer is more uncomfortable than yes or no. It starts at the roots: rock and roll, doo-wop, the Great Migration, and who was actually in the room when this culture was built. They talk about the kids who wore the gear and borrowed the slang, then grew out of it. They cover the ones who swapped rap for pickup-truck country, and the self-proclaimed heads whose top five doesn't include a single Black MC. Plus a birthday, a brewery wrestling show, and a long-overdue reckoning with rap's biggest culture vulture.
De La Soul gets the full Pop the Trunk treatment. With one seat empty this week (and a suspect excuse behind it), the crew heads back to Amityville to trace the group from pause tapes to one of the most defiant catalogs rap has ever produced. Along the way, a firsthand account of how they really got signed, a local's view of the Long Island they came up in, and a tribute to Dave that lands close to home.
After years of turning down Insane Clown Posse's invitations, Vinnie finally agrees to play the Gathering of the Juggalos and finds himself learning the culture's unwritten rules in real time. Billy and Brendan get the full story: trailered between Scarface's Ghetto Boys and KRS-One, watching KRS destroy the stage right before his set, bonding with Scarface over shared metalhead roots, and getting schooled on Faygo showers — where getting hit with stuff on stage is a compliment, not a threat.
Twenty years later, Vinnie looks back on the album that carried Jedi Mind Tricks' momentum further than it had ever gone — a record that pushed the group to new heights while staying true to the sound that built them. From the writing to the guest verses to the reaction it got once it hit the road, Vinnie walks through what made this one land the way it did, and why it still holds up two decades on.