Show Notes
We're joined on Breaking Screen by Leela Varghese and Emma Hough Hobbs, the co-writer/directors of the award winning animated feature film Lesbian Space Princess, who talk about splitting responsibilities during development and production, the differences in writing for live action versus animation, and tips for working in low-budget animation.
Lesbian Space Princess premiered at the 2025 Berlin International Film Festival where it won the Teddy Award for Best Feature Film, an international award recognising exceptional films with LGBTQIA+ themes and content. It was also selected for Adelaide, Melbourne and Sydney Film Festivals – and at Sydney won the GIO Audience Award for Best Australian Feature. It marks the debut feature of Leela and Emma, as well as producer Tom Phillips of We Made a Thing Studios. It's the first full-length animated feature film made in South Australia, and was the second production to come out of the South Australian Film Corporation's Film Lab: New Voices feature film initiative, supported by Screen Australia and Adelaide Film Festival. It's also hilarious and you can catch it in select cinemas now.
More from Breaking Screen
Today's episode features Holly Lyons, who gives her insights into pitching, including what a pitch is, the different types of pitches, why they are important, how to prepare, what to do about nerves, why a strong pitch is a win-win situation regardless of if it's successful, and much more.
Today's episode features Elise McCredie, an award-winning showrunner and screenwriter, whose most recent series is The Airport Chaplain, starring Hugo Weaving, Shabana Azeez and Claudia Karvan. Co-created and executive produced by Elise and Jude Troy, it's produced by Wooden Horse and all 8 episodes are available to watch on SBS now.
Today's episode features Gemma Crofts, an award-winning screenwriter, a script editor and former development executive, with more than fifteen years' experience across film and television development.
Today's episode features Sarah Goodes, an Award-winning Australian theatre director who started Jacaranda Productions in 2025 with actor/ producer Diana Glenn after they met at AFTRS. Their goal? To create multi medium stories by finding stories that start in theatre and developing them into TV , film and online productions - and vice versa.
Today's episode features Benson Wu, the CEO of Queer Screen. Throughout the podcast, Benson talks about for submitting to film festivals, why they are important to both audiences and filmmakers and why he volunteered at Queer Screen at the beginning of his career. Benson also started the Taiwan Film Festival in Australia and has worked at Sydney Film Festival, SXSW Sydney, Taiwan International Queer Film Festival and Cinema at Sea – Okinawa Pan-Pacific International Film Festival.