Show Notes
When the great American composer Carlisle Floyd wrote his first full-length opera, Susannah, back in the 1950s, he had no way of knowing how the Biblical themes of shame, blame and lust would resonate today. In this special episode of Aria Code, host Rhiannon Giddens joins soprano Renée Fleming, writer and stage director Thomas Holliday, and feminist writer Leora Tanenbaum to consider the haunting folk aria “The Trees on the Mountains,” and the devastating loss of innocence at the heart of the story. You’ll hear Fleming’s performance from the Metropolitan Opera’s 1999 production of Susannah, as well as Rhiannon Giddens’ version from her new album, there is no Other.
More from Aria Code
Hello Aria Code fans, pianist Emanuel Ax is dropping into the feed to introduce Classical Music Happy Hour, a new podcast he hosts that you might enjoy. The show is all about the joy in chatting about music with all sorts of people, including some of Manny’s dearest friends like pianist Yuja Wang, composer John Adams, actor David Hyde Pierce, and cellist Yo-Yo Ma. So grab a drink and join Manny Ax for music, merriment and conversation.
Ana González is here to introduce you to her new podcast, Our Common Nature, a musical journey with cellist Yo-Yo Ma. When the world stopped in 2020, Yo-Yo Ma started thinking about how music can reconnect people to the natural world. In this limited podcast series, Yo-Yo goes around the country to places where people have deep connections to the earth.
Gounod’s “poison aria” is so difficult, it’s often cut from productions. But it’s a pivotal moment in the opera — and a testament to Juliette’s courage.
Carmen is perhaps the most famous heroine in all of opera: an icon of sensuality and self-determination — and a full-blown stereotype of Romani culture.
When the Voyager spacecraft set off to explore the galaxy, it carried recordings to represent the best of humanity. There was only one aria: the rage-fest from Mozart's The Magic Flute.