
Creating the Room You Want to Be In: Laura Whitmore and the She Rocks Story
Gig Gab - The Working Musician's PodcastShow Notes
You jump into this episode balancing the reality of working gigs with the mindset that keeps musicians moving forward. From Dave’s recent experiences playing atypical rooms with Bitter Pill to cramming new material for Casual Gravity, you’re reminded that momentum matters even when the crowd is small. Always Be Performing is not about scale, it’s about consistency. That theme carries straight into the conversation with Laura Whitmore, whose career has been shaped by connecting people, creating opportunities, and knowing when to pull back just enough to build a sustainable life alongside the work.
As Laura walks you through the birth and growth of the She Rocks Awards, you hear what it actually takes to build something lasting. It started small, grew through trust and partnerships, and evolved by treating the event like a show, with pacing, flow, and intention. You dig into what real visibility looks like, how to define success on your own terms, and why borrowed platforms are never enough to build a career. The takeaway is practical and clear: start with a big vision, set measurable goals, build community deliberately, and own your audience.
This episode is a reminder that longevity comes from intention, preparation, and showing up with purpose, gig after gig.
00:00:00 Gig Gab 520 – Monday, February 9th, 2026
February 9th: National Pizza Day
00:01:00 Dave’s Gig Updates
Playing atypical venues with Bitter Pill
Learning new songs with Casual Gravity
Always Be Performing…even for the small crowds!
00:17:10 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB.
00:18:34 Guest co-host: Laura Whitmore
00:22:20 The love of connecting people and making things happen
00:23:08 Pulling back a little…to have a life
Backstory in partnership with Guitar World and Parade
00:26:28 The green room at The She Rocks Awards is the ultimate networking event!
00:29:33 The Birth of the She Rocks Awards
Writing a women-in-music blog at Guitar World, realizing the women in music didn’t know each other… yet!
Started as a breakfast (with sponsors…the cheapest meal of the day!). Orianthi performed, serendipitously.
After two successful years, NAMM invited She Rocks into the event officially, and The Bangles performed.
“You don’t really know what you’re capable of until you’re challenged and take that leap of faith.” – Laura Whitmore
2026 was the 14th year of She Rocks Awards.
170 She Rocks Awards have been presented in the last 14 years.
00:34:51 “Is this ever going to come together?” is scary
Reframe it with “how is this ever going to come together?”
It takes a village, folks!
00:38:12 Having good partners helps
00:38:59 Create the event for yourself as an audience member
That way you’ve got a stake in how it “feels” to attend, which means the audience is represented
00:41:16 Assembling the featured women
Nominations at TheWimn.com
Crafting the arc of the night by slotting the right people at the right spot. It’s a show!
00:43:49 Managing the flow of the night
She Rocks Awards YouTube Channel
00:46:58 People whose names became known after they were on She Rocks
Queen Herby (as Amy Heidemann)
Beaches
PRS Guitars brings in the opening act, with a fantastic Artist Relations team
00:49:40 Defining valuable visibility
What’s your end goal?
What are your metrics? What defines success?
For your band, those might be:
Did I get contact information?
Did I build on success that I had before?
Did this exposure opportunity help me grow to a new place/level?
Start with big vision, small goals
00:54:16 You don’t own social media platforms, so don’t leave your audience there.
Facebook used to let you message all your followers. Used to!
If your audience is a subset of Facebook’s audience, that’s not your audience. Give them a reason to give you their email address.
Gather those email addresses.
Keep those pieces of paper – scan them!
More from Gig Gab - The Working Musician's Podcast
Your fellow working musicians just handed you a year’s worth of gig hacks, and this week Gig Gab pulls the best listener tips from Instagram and Facebook into one episode. You’ll get a hand-raise monitor check that knocks out soundcheck in minutes, a dedicated soundcheck song for when the room’s already full, and the mixing moves pros swear by: high-pass the bass at 80 Hz, sidechain it to the kick, and carve 2.5 kHz out of everything else so the vocals cut through. Then you’ll build a smarter set list. Space out the songs that wreck your singer, keep a back-pocket list of crowd-grabbers, mark who sings lead for the sound person, and track song lengths so you never blow past curfew.
Megan Ihnen and Alan Theisen of Neonautica went from contemporary classical recitals to headlining dubstep parties in New Orleans, and they brought a theater kid’s discipline with them. You’ll hear how they split band duties so nobody has to wonder who’s handling what, why the only correct response to a note is thank you, and why there’s no such thing as a good or bad sound, only the sound you meant to make and the one you didn’t. They also explain why they wrote an hour-long set the way a composer writes a symphony, and what it means to control the room instead of just reading it.
Chris Cron posted what he thought was a one-off video about how to sound like the Beach Boys, set his phone down, and came back to 10,000 views. A few days later it was near a million. A few years later, he’s a touring member of the actual Beach Boys. Chris joins Dave to show you what was underneath that “overnight” success: a full-time session vocalist gig since 2018, years of throwing content at the wall, and the social media lessons that made one video stick: Frame your post as a question, reply to every comment, and treat the haters as fodder for a lesson or a laugh. From there, the path runs through a John Stamos follow, a coffee with the band’s musical director, a one-off Post Malone fill-in, and a phone call you don’t say no to. When the once-in-a-lifetime opportunity shows up, you throw the door open wide.
Every club at SXSW sounds good, every night, all week, and we’ve often wondered how they maintain that consistency. This week Dave finally gets the answer from Nate Cross, SXSW’s Director of Production, who went from intern to Assistant Production Manager to running the whole show. You’ll hear how his team builds out 55 to 60 venues (down from 100+ before the pandemic), why they mic everything even when it looks like overkill, and how 20-minute changeovers actually run on time with bands who’ve never met. Then there’s the backline story: trading the free band beer for a drum kit and amps at every venue, which enhanced everything.
Skylar Hamilton is back by popular demand for round two of your questions, recorded across an Airbnb kitchen table in New York City where a roll of paper towels doubles as a mic stand, because it’s the right height and it kills table rumble.