Sass Jordan

Hi folks, The original interview was chopped into segments for the original broadcast so I could include music. I decided that posting a bunch of short clips would take a long time and you might end up missing some. So, here’s the entire interview. There will be some repeats from the previous clips I uploaded, but you get to hear the wonderful person, in its entirety. Stick around because we share a great moment that says so much about how wonderful she is. R.I.P. Sass. If you would like to support my work here on Substack and my music (https://www.briantmusic.com), please click the Buy Me A Coffee logo above and donate. It is challenging to succeed in music and art, and your donation goes a long way toward helping me continue making it. Brian Tremblay’s Lonesome Cowboy Podcast is a free publication. There’s no charge to subscribe. Thank you!

https://lotuswight.com/ At the age of eight years old, Allison professed his love for the 1920s-era actress, Margaret DuMont, whom he had seen in the films of the Marx Brothers. When he learned of her death, he fell into a deep depression which could only be healed by listening to the music of that era. Tin-pan alley, ragtime jazz, and Appalachian fiddle tunes were the balm for his young soul, and an important influence on his later music. As a young adult, Sam was engaged with an itinerant square-dance band from the Ottawa Valley and travelled throughout the United States for eight years, playing dance music and studying fiddle, banjo and songs of the American vernacular. It was during this time that Allison invented his alter-ego, Lotus Wight. Wight plays music in the key of Folk, Blues and Ragtime. Audiences are captivated by Lotus’ seamless movement from banjo to jaw-harp to guitar and his own invention, the contrabass harmoniphoneum. Lotus sings and writes songs that sound like they have been plucked from the turn of the century and his inimitable style has been talked about in the folk music world for years. Wight has played all over the globe including festivals in The Shetland Islands, Turkey, Denmark, and the Netherlands.

If you would like to support my work here on Substack and my music (https://www.briantmusic.com), please click the Buy Me A Coffee logo above and donate. It is challenging to succeed in music and art, and your donation goes a long way toward helping me continue making it. Brian Tremblay’s Lonesome Cowboy Podcast is a free publication. There’s no charge to subscribe. Thank you!

https://www.annelederman.com/ Anne began her professional career as a fiddler in the late 1970s touring with Harry Hibbs, Newfoundland’s “favourite son”. In 1983, as half of duo Muddy York with Ian Bell, she released the ground-breaking recording Scatter The Ashes: Music of Old Ontario (now re-mastered and released on CD). In 1985 and ‘86, she returned to Manitoba to study and record the music of Indigenous fiddlers, resulting in a 4-record archival set of recordings titled Old Native and Métis Fiddling in Manitoba (re-released in 2004 as a double CD set on The National Museum’s Archive label). This was followed by work with Izvor, an ensemble devoted to Balkan, Greek and other East European traditions, and then The Flying Bulgar Klezmer Band with whom she recorded two albums: The Flying Bulgar Klezmer Band and Agada. In 1991, she released her first solo recording, Not A Mark In This World, a collection of Canadian traditional songs of social comment. This was followed in 1998 with a special collection of songs for children, Come From Every Way, about coming to Canada from all over the world. In 1999, Anne began to work with Njacko Backo of Cameroon and his Kalimba Kalimba! ensemble who have toured the Prairies, Quebec, B.C. and the North. They have released 6 recordings, Ka Koua (2001), The Conscience of Africa (2004) Ou est l’amour? (2009) Ici Bas, rien n’est impossible (2013), À tous les enfants de la terre, and one for children, Jaime mon Ècole The year 2000 saw the appearance of Anne’s first instrumental fiddle recording, 7 Cats, featuring traditional and original tunes – Metis, French-Canadian, Celtic-Canadian, Klezmer and Macedonian. This was followed in 2003 by Fiddlesong, a work hailed by critics as an inspired expression of “Canadian world music”. If you would like to support my work here on Substack and my music (https://www.briantmusic.com), please click the Buy Me A Coffee logo above and donate. It is challenging to succeed in music and art, and your donation goes a long way toward helping me continue making it. Brian Tremblay’s Lonesome Cowboy Podcast is a free publication. There’s no charge to subscribe. Thank you!

If you would like to support my work here on Substack and my music (https://www.briantmusic.com), please click the Buy Me A Coffee logo above and donate. It is challenging to succeed in music and art, and your donation goes a long way toward helping me continue making it. Brian Tremblay’s Lonesome Cowboy Podcast is a free publication. There’s no charge to subscribe. Thank you!