Show Notes
Matt Thomas is a producer, engineer, and composer who has worked with Left to Suffer, Kingdom of Giants, Darko, Nerv, Sunspear, and many others. On this episode: - Realizing you’re the asshole live sound engineer - How Jason Richardson’s unique vision sets him apart from other shredders - Where to find ALL the royalties you’re owed - The Darko production process - Speed Mixing for fun and profit - What Cannibal Corpse and Adele have in common - The genius of Richard Cheese Sponsored by: DistroKid Want to level up your audio game? Sign up for URM. When you sign up, you'll get access to:
Insanely detailed audio production tutorials
One-on-one feedback
Multi-track sessions from some of the biggest names in rock and metal
Be sure to follow URM on Instagram and Facebook. Follow Eyal Levi on Instagram. Like this show? Please leave us a 5-star review - even one sentence helps! Learn more about your ad choices. Visit megaphone.fm/adchoices
More from Unstoppable Recording Machine Podcast
Joey Doherty, a producer and sound designer, joins Joel on the URM Podcast.
Hiram Hernandez is a top billboard charting Songwriter/Producer. He joins Joel on the URM Podcast.
Curt Martin, a producer, songwriter, and mixing engineer based in LA, joins Eyal and Joel on the URM Podcast.
Maor Appelbaum, a legendary mastering engineer, joins Joel on the URM Podcast.
Phil Pluskota (Sonic Assault Studios) is an engineer, producer, and mixer from Central Florida who is known for his devastatingly sick guitar tones.