Show Notes
The celebrated podcast returns for its third season. Join us on an audio odyssey through the pages of The Paris Review, featuring the best fiction, poetry, interviews, and archival recordings, from the world's most legendary literary quarterly.
This season features fiction by Yohanca Delgado, Venita Blackburn, Bud Smith, Allan Gurganus, and Edward P Jones. Poetry from Monica Youn, Deborah Landau, Jericho Brown, Antonella Anedda, and Natalie Scenters-Zapico. Plus excerpts of interviews with Joan Didion, Robert Frost, Rachel Cusk, and George Saunders. This season includes the voices of Phoebe Bridgers, Connor Ratliff, Jessica Hecht, and Amber Gray.
Check out this trailer for a preview of the upcoming season, and subscribe now to hear the first episode on October 27th, 2021.
More from The Paris Review
A special production of Anne Carson’s “I Don’t Do Innocents," which first appeared in issue no. 253 (Fall 2025). Produced by Complicité for The Paris Review, directed by Simon McBurney, and featuring Carson herself reading the stage directions, this radio play takes place during a wedding party as the bride’s younger sister eavesdrops from the roof through a drainpipe.
Jordy Rosenberg reads his story “My Life, by Barbara Rosenberg,” from issue no. 253 (Fall 2025), told from the perspective of Barbara, a mother from Brooklyn who is ready to battle a corduroy blazer and the child who wants to wear it freely. This episode was produced by John DeLore, Lori Dorr, and Emily Stokes. The music used in this episode is “Gamelan Ornaments,” composed and performed by David Cieri. Rosenberg’s story can be read online at: https://www.theparisreview.org/fiction/8430/my-life-by-barbara-rosenberg-jordy-rosenberg Subscribe to The Paris Review at www.theparisreview.org/subscribe.
Joseph Earl Thomas reads his essay “I Got Snipped: Notes after a Vasectomy,” about the best sexual decision he ever made. This episode was produced by John DeLore and Helena de Groot, and was mixed by John DeLore. Our theme song for this series is “Bryant Park and Ride,” composed and performed by David Cieri. Joseph Earl Thomas’s essay can be found online at: https://www.theparisreview.org/blog/2024/08/01/i-got-snipped-notes-after-a-vasectomy/ Subscribe to The Paris Review at www.theparisreview.org/subscribe.
Lisa Carver reads an essay about visiting two strip clubs with her French husband: first the Moulin Rouge, then a dive bar in Bedford, New Hampshire. At the Moulin Rouge, she has a revelation: “Even though the women had naked boobies, they still looked like angels. I think angels do have naked boobies, now that I’ve seen this show.” This episode was produced by John DeLore and Helena de Groot, and was mixed by Helena de Groot. Our theme song for this series is “Bryant Park and Ride,” composed and performed by David Cieri. Lisa Carver’s essay can be found online at: https://www.theparisreview.org/blog/2023/09/13/two-strip-clubs-paris-and-new-hampshire/ Subscribe to The Paris Review at www.theparisreview.org/subscribe.
Mihret Sibhat reads her essay “Wax and Gold and Gold,” about a friendship she formed with a prostitute in Addis Ababa while attempting to teach her about Jesus. This episode was produced by John DeLore and Helena de Groot, and was mixed by John DeLore. Our theme song for this series is “Bryant Park and Ride,” composed and performed by David Cieri. Mihret Sibhat’s essay can be found online at: https://www.theparisreview.org/blog/2023/08/03/wax-and-gold-and-gold/ Subscribe to The Paris Review at www.theparisreview.org/subscribe.