Show Notes
Viktor is an impressive documentary that relies on sound to tell it’s story. The film’s protagonist is a deaf photographer living in Ukraine, documenting the Russian invasion of of his country after he finds out he is not allowed to sign up as a soldier. Using innovative sound design to immerse the audience in Viktor’s POV (or more accurately POH, point of hearing), the film focuses on his frustration at being unable to fight in the traditional sense and his passion for photography, as a way to serve his country. This spoiler free conversation with Sound Designer Peter Albrechtsen, Sound Designer/Foley Artist Heikki Kossi and Re-recording Mixer Tim Nielsen, discusses how they manipulated the sound in the film to approximate how Viktor hears and just as importantly, when to employ these techniques. The sound design for Viktor evolved drastically from the start of postproduction to the final mix. They began with hard rules for when and how to twist the audio. Yet for the final version, all those rules were thrown out the door. It is an interesting case study following the journey a soundtrack to find a film's “voice”. The sound team interview is followed up with a one on one talk with Viktor's director Olivier Sarbil. Olivier is an impressive man with a very unique relationship to the audio postproduction phase of film making.
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