Ep. 381: Berlin 2026 – Rachel Pronger on The Blood Countess, No Good Men, The Radu Jude Short, The Fabulous Time Machine, The Cruel Woman
The Last Thing I SawShow Notes
Ep. 381: Berlin 2026 – Rachel Pronger on The Blood Countess, No Good Men, The Radu Jude Short, The Fabulous Time Machine, The Cruel Woman
Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As the 2026 Berlinale enters its second week, I continue my series covering the highlights. This time I welcome a new guest to the podcast, Rachel Pronger, critic and co-founder of Invisible Women, an archive activist feminist film collective which champions historic work by women and marginalized gender filmmakers through curation, events, and editorial. We began with a revival selection from the festival’s Teddy 40 anniversary series, Seduction: The Cruel Woman, co-directed by Elfi Mikesch and Monika Treut. Then we discuss premieres from across the festival: The Blood Countess (directed by Ulrike Ottinger, from Berlinale Special Gala), the opening film No Good Men (Shahrbanoo Sadat), The Fabulous Time Machine (Eliza Capai and Daniel Grinspum, from Generation Kplus), Crocodile (The Critics and Pietra Brettkelly) and a new short film from Radu Jude, Plan Contraplan (from Shorts Program 4).
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Photo by Steve Snodgrass
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