Mini: Shakespeare for Young Audiences with ML Roberts, Sean Patrick Nill, and Elyse Sharp of B Street Theatre's NEVER FEAR, SHAKESPEARE
Shakespeare Anyone?Show Notes
Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this mini-episode, we sit down with actor ML Roberts and co-playwrights Sean Patrick Nill and Elyse Sharp to talk about NEVER FEAR, SHAKESPEARE—a brand new Theatre for Young Audiences (TYA) play premiering at Sacramento's B Street Theatre. B Street is well known for its Theatre for Young Audiences (TYA) programming, which brings high-quality, professional productions to children, families, and schools, making theatre accessible to the next generation. We dive into B Street's philosophy of theatre for young audiences and how NEVER FEAR, SHAKESPEARE fits into that mission. Along the way, we discuss the theatre's history with Shakespeare, what makes this new play different from other Shakespeare-for-kids or Shakespeare-adjacent productions, and why introducing Shakespeare to young people matters in today's cultural landscape. ML Roberts shares his perspective on embodying a central role in the play, while Nill and Sharp reflect on the process of adapting Shakespeare's world for youth audiences—balancing humor, clarity, and creativity to keep the material engaging. At Shakespeare Anyone?, we strive to contextualize Shakespeare and make his works accessible. This episode highlights how NEVER FEAR, SHAKESPEARE carries that same mission into the world of young audiences. ML Roberts is the son of a Navy veteran and descendant of the Gullah Geechee of the Carolinas. As a member of Actor's Equity Association, he has performed with Seattle Children's Theater, Folger Shakespeare, Unicorn Theatre (UK), The Williams Project, and Santa Cruz Shakespeare, among others. As a playwright, his debut production Riverside premiered at Indy Shakes. His work has been developed with New Harmony Project, SPACE on Ryder Farm, and GTG's Speaker's Corner. As a screenwriter, he co-wrote a Lifetime movie and has developed work with Hulu. He is a member of the Dramatists Guild of America, a Broadway Advocacy Coalition Fellow, Co-Artistic Director of Yale Cabaret Season 57: Phoenix, and inaugural Core Company Member at ACT Theatre (Seattle). MFA Playwriting from the Yale School of Drama; BFA Acting from North Carolina School of the Arts marceselorenzo.com Sean Patrick Nill is Artistic and General Manager at the B Street Theatre. B Street Writing Credits include: Tiny Trailblazers: Kids Who Changed the World, Winnie-the-Pooh, 'Tis the Season, Fantasy Festival XXXI-XXXVI, Mind Boggling Mysteries of the World, and Mathematical Madness. Directing Credits include: Tiny Trailblazers: Kids Who Changed the World, Cosmo St. Charles is Dead and Someone in This Room Killed Him, The Prince of Lightning, The Play That Goes Wrong, The Last Wide Open, A Year with Frog & Toad, Proclivity for Kiting, and Fantasy Festival XXXI-XXXVI. His plays have been produced by the Sacramento Theatre Company, B Street Theatre, Children's Museum & Theatre of Maine, Rover Dramawerks, Theatre InspiraTO festival, Watermelon One Act Festival, M.T. Pockets Theatre, Torent Theatre, and the Manhattan Repertory Theatre. His play Kings of America was a finalist for the Davey Foundation Theatre Grant given by the Salt Lake Acting Company, his play An Ordinary Woman was published in Stage It! Ten Minute Plays: 2017 Edition, and his play Brynlee & the Bull won the Audience Choice Award at the InspiroTO 10 Minute Play Festival in Canada. His adaptation of Winnie-the-Pooh, which premiered here at the B Street Theatre, is now published and can be purchased through Theatrical Rights Worldwide (https://www.theatricalrights.com/). And, you know her as one half of Shakespeare Anyone?…Elyse Sharp is a member of Actor's Equity Association and the Shakespeare Association of America, as well as a director, podcaster, dramaturg, and teaching artist. At the age of 9, and inspired by an episode of the PBS series Wishbone, she rewrote Romeo and Juliet for a fou
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Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this mini episode, we sit down with Katherine Steele Brokaw and Elizabeth Freestone, authors of Performing Shakespeare on an Endangered Planet, to talk about their work producing ecological Shakespeare. We discuss what it means to approach Shakespeare's plays through an ecological lens, how that thinking shapes the choices theatremakers make in rehearsal and production, and what inspired them to write a book on the subject. We also explore how Shakespeare's plays can help us engage with the environmental challenges of our own moment. About Katherine Steele Brokaw Katherine Steele Brokaw is a Professor of English at University of Texas at Austin and the Director of Shakespeare at Winedale at UT. Her work focuses primarily on the production and study of Shakespearean performance, with a special interest in how modern productions can be used to highlight ecological issues. She is the author of Staging Harmony: Music and Religious Change in Late Medieval and Early English Drama and Shakespeare and Community Performance and she is co-author, with Elizabeth Freestone, of Performing Shakespeare on an Endangered Planet. She was the co-founding artistic director of Shakespeare in Yosemite, where she adapted and directed eight productions.
Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we look at the women and boys whose performances shaped the depiction of women on Shakespeare's stage. We start in Italy, discussing the real actresses of the commedia dell'arte companies who originated the "diva" archetype, and consider how their influence may have shaped the writing and performance of Shakespeare's characters like Rosalind in As You Like It. We then look at the early modern English stage, where women were barred from performing, and examine the impact of John Lyly's Galatea on the plays and playwrights of the era. Finally, we look at the documented reality of life in the Boys' Companies of Shakespeare's time, and what that history tells us about the young actors who brought these performances to life. Content warning: this episode contains brief mentions of exploitation of children. Please listen with care. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: Brown, Pamela Allen. "'Cattle of This Colour': Boying the Diva in 'As You Like It.'" Early Theatre, vol. 15, no. 1, 2012, pp. 145–66. JSTOR, http://www.jstor.org/stable/43499607. Accessed 4 Oct. 2026. Tosh, Will. Straight Acting: The Hidden Queer Lives of William Shakespeare. Sceptre, 2025.
Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we sit down with Emily Jenkins, Text Practitioner for Shakespeare's Globe Higher Education and a leading Shakespeare and acting coach for stage and screen. We discuss what a text coach actually does in the rehearsal process, how she works with actors to bring Shakespeare's language to life, and how she found her way into this specialized corner of theatre. We also talk about how she decided to start sharing Shakespeare tips on social media and built a thriving community on Instagram as @ShakespearewithEmily. Last but not least, we ask her the big question: if she could teach everyone in the world one thing about Shakespeare, what would it be? About Emily Jenkins Emily Jenkins is Text Practitioner for Shakespeare's Globe Higher Education and a leading Shakespeare and acting coach for stage and screen. Since 2012 she has worked at the Globe exploring practical, text-led approaches to Shakespeare's plays with students and professionals alike. Alongside this work, Emily is multi-award-winning playwright and theatre director. She has won two Fringe First awards, and has had her work produced and performed in London's West End. She regularly posts Shakespeare tips on instagram as ShakespearewithEmily and has build a strong community of over 22 thousand followers. Emily's website includes free Shakespeare acting resources, text guides, all the plays and apocrypha, and monologue finder that allows you to search for every speech in Shakespeare: https://emilyjenkins.studio/shakespeare https://emilyjenkins.studio/guides Emily has also created a 'Foundational verse' course. In 16 online videos, Emily talks you through, step-by-step Shakespeare's most popular form of verse, iambic pentameter, the clues it gives us and how it can support you as an actor. Find out more at https://emilyjenkins.studio/learn-shakespeare. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree.
Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we explore the ecology of Shakespeare's Forest of Arden and what the events of As You Like It might have meant to an early modern audience (and a certain playwright) living through real environmental and agricultural change that impacted the real Forest of Arden near Shakespeare's hometown. We look at how shifting agricultural practices in Shakespeare's England shape the play's depiction of land, labor, and pastoral life in the Forest of Arden. We then explore the play's connection to the enclosure riots of the period, and what Shakespeare's fictional forest reveals about real anxieties over land rights, common land, and rural unrest in early modern England. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: Brokaw, Katherine Steele, and Elizabeth Freestone. Performing Shakespeare on an Endangered Planet. Cambridge University Press, 2025. Martin, Randall. " Land-Uses and Convertible Husbandry in As You Like It." Shakespeare and Ecology, Oxford University Press, Oxford, United Kingdom, 2015, pp. 56–77. Wilson, Richard. "'Like the Old Robin Hood': 'As You Like It' and the Enclosure Riots." Shakespeare Quarterly, vol. 43, no. 1, 1992, pp. 1–19. JSTOR, https://doi.org/10.2307/2870900. Accessed 27 Aug. 2026.
Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we are digging into the history of Shrovetide in early modern England. We've previously discussed Shrovetide as a possible date for the first production of As You Like It, but what did this holiday mean for the people of Shakespeare's time? We look at Shrovetide's origins as the last hurrah before the fasting and restraint of Lent to the customs that came to define it: feasting, football, cockfighting, pancakes, and festivals. We also look at where Shrovetide turns up in Shakespeare and other literature of the early modern period. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: Brears, Peter C. D. Cooking and Dining in Tudor and Early Stuart England. Prospect Books, 2015. Foster, Pamela. "Shrove Tuesday and the British Pancake Tradition: From Mrs. Patmore's Kitchen to Your Table." Downton Abbey Cooks, 16 Feb. 2026, downtonabbeycooks.com/why-do-we-have-pancakes-on-shrove-tuesday/. Hutton, Ronald. The Stations of the Sun: A History of the Ritual Year in Britain. Oxford University Press, 2011. Olney Pancake Race, Parish Church of St Peter and St Paul, Olney, 2026, olneypancakerace.org/. Teysko, Heather. " From Pancakes to Fasting: Shrovetide and Lent in Tudor England." History and Coffee, YouTube, 11 Feb. 2026, www.youtube.com/watch?v=KHJaT3qZy_Y. "Why Do We Eat Pancakes on Shrove Tuesday?" English Heritage, 2026, www.english-heritage.org.uk/members-area/kids/kids-rule-makes-and-bakes/pancakes-shrove-tuesday/.