
Show Notes
"I wonder what became of old Filthy Gladys?"
This week we're talking about one of Spike Milligan's favourite Goon Shows from early 1956, and one whose script was originally published in the first Goon Show Scripts book.
Young Ned Seagoon, driven by a driving ambition to become the world’s greatest organ player, leaves his native Wales in order to pursue his musical studies in the Sahara. There, racing across the sands in the cockpit of his 50-ton brass-bound Wurlitzer, Ned meets unscrupulous villains Grytpype-Thynne and Moriarty, scrapdealers by appointment and purchasers of arms for Egypt. They have other plans for the Mighty Wurlitzer however, which leads Neddie to a hair-raising race on Daytona Beach against ace organ pilots Crun & Bannister, in a desperate attempt to beat the land speed record forWurlitzers. But it is a different record that poor Neddie breaks…
Joining Tyler to talk cinema organs, land-speed records and Middle East tensions, not to mention Housewife's Choice, dying in Coventry and Sabrina's sweaters, is Stephen Hatcher. Steve is a regular on the Strangers In Space podcast.
More from Goon Pod
The Queen in America, Eurovision, Elvis, knitting a Spon, a Russian Love Song, Harry Rocking the Town! - it's all here this week! Plus: how much do we love Moriarty, a glaring goof and Watch That Tiger!
Jet Storm, also known as Jet Stream or Killing Urge, is a British thriller directed and co-written by Cy Endfield and starring Richard Attenborough, Stanley Baker, Patrick Allen and Virginia Maskell. It is an early example of what would become the aviation disaster-film genre, preceding films such as Airport by more than a decade. Released in October 1959, it centres almost entirely on a transatlantic flight from London to New York and the psychological and moral crisis that develops among its passengers when one of them threatens to destroy the aircraft.
Broadcast on Channel 4 on 2nd December 1985, The Last Laugh Before TV-am was Spike Milligan’s attempt to bring his particular vein of humour to a new generation... although very little about it suggested that Milligan had changed his approach since the early Q series.