
Show Notes
We speak to Radio 3 broadcaster and producer Georgia Mann, who recently took over the reins on the station’s morning programme, Essential Classics. She tells us all about the new musical discoveries she’s made so far in the job, her experiences of live music during lockdown, starting out as a singer in Gilbert & Sullivan musicals and how to be articulate live on radio when a performance blows you away. Recordings featured: Miles Davis: Lift to the Scaffold Trad: Blow the wind southerly (Sheku Kanneh-Mason) Beethoven: Piano Sonata No. 8 ‘Pathétique’ (Igor Levit) Peggy Granville-Hicks: Sinfonia Pacifica (Tasmanian Symphony Orchestra/Richard Mills) Ruth Gipps: Symphony No. 2 (BBC National Orchestra of Wales/Rumon Gamba) Hannah Peel: Sunrise Through the Dusty Nebula Bach: Cello Suite No. 1: Prelude (Yo-Yo Ma) Rossini: The Barber of Seville – Largo et Factotum (Royal Philharmonic Orchestra/Vittorio Gui & Sesto Bruscantini) Verdi: Requiem: Dies Irae (London Symphony Orchestra/Colin Davis Ella Fitzgerald: Cheek to Cheek Serge Gainsbourg: Les goemons Mozart: Laudate Dominum (Felicity Palmer, Choir of St John’s College Cambridge, The Wren Orchestra/George Guest) Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices
More from All The Right Notes
Classical music is packed with weird and wonderful musical terminology. Steve Wright speaks to author and critic Jessica Duchen about the meaning and stories behind some of music’s most common terms.
The uplifting sound of the horn, particularly in an orchestral setting, is familiar to audiences worldwide – but how do you play this wonderful instrument? Charlotte Smith interviews former London Symphony, London Philharmonic and current Royal Opera House principal horn David Pyatt, who takes her through her first horn lesson.
Classical film scores have given us some of the most recognisable music ever written – and film screenings with a live orchestral soundtrack in the concert hall are increasingly popular. But where do you start when writing a soundtrack and how do you capture that magic? Michael Beek speaks to British film composer Anne Dudley.
Smoking and alcohol are definite no-nos, but what else can you do to ensure your singing voice is in top condition? Jeremy Pound speaks to Olivia Sparkhall, author of A Young Person’s Guide to Vocal Health, to find out.
Vaughan Williams’s The Lark Ascending consistently tops polls as Britain’s favourite classical work, but what is the source of its enduring popularity? Steve Wright interviews writer and broadcaster Andrew Green about his Lark Ascending/Skylark recordings project for the Ralph Vaughan Williams Society, in collaboration with the Wildlife Sound Recording Society and British Library’s Wildlife and Environmental Sounds Collection.