Epicenter

The Blurry Lines of Belonging (with Talia Shiff, Anna Skarpelis, and Elke Winter)

Epicenter

Show Notes

We think of citizenship as a binary category: you’re either a citizen or you’re not. But the levels of membership can be complex. Refugees and asylum seekers often find that the criteria for acceptance change, as states devise rationales to exclude them. Three Weatherhead Center sociologists reveal the motivations behind various immigration policies, from the colonial past to the present, and discuss the ethics and impact of open borders.

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One room. One locked-down camera. One roll of film. A group of famous directors from the 1960s took the challenge: they would make a short film with these parameters plus one more—their dialogue must include the sentence “I Miss Sonia Henie.” The result was a bawdy, ludicrous compilation that became an international classic. It’s featured in a new film retrospective called The Yugoslav Junction: Internationalism in the SFRY: 1958–1988. The Weatherhead Center is cosponsoring this program of short and long films from socialist Yugoslavia, which takes place at the Harvard Film Archive beginning November 9. Today we’re talking to the curator of the series along with two Weatherhead fellows from Bosnia and Herzegovina who will set up the political and cultural background for these rare films, and they’ll discuss three of them— one each from the 1960s, 1970s, and 1980s.

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