
Show Notes
In this episode of Object Matters Lauren Poole, a writer and disabled postgraduate student of museum studies at the University of Sydney joins host Dr Craig Barker. Together they speak about the more than 100 rubber fragments of the "Cotton aerodynamic anti-G (CAAG) flying suit" in the collection.
Designed during World War Two at the University of Sydney by the Professor of Physiology between 1942 and 1955, named Frank Cotton, , the suit was produced in conjunction with the Royal Australian Air Force to minimise the effects of high-speed flying on pilots and to prevent blackouts. Representing a remarkable career Cotton (1890-1955) has also been inducted in the Australian Sports Hall of Fame for his contribution to sports science.
Although the Cotton Suit was designed for aviation use, Lauren sees it conceptually as a precursor to sequential compression devices (SCDs) used in treatment of blood pooling and to improve blood circulation in the legs. Lauren asks us to challenge ableism within a museum context. Why do we not see the Cotton suit as a disability object? And what other disability objects may we see in museum and gallery collections? Can we rethink the conversation in museums about disability representation within material culture?
Guest: Lauren Poole is a writer and postgraduate student of the University of Sydney’s Museum and Heritage Studies programs. Lauren is a trained archaeologist and a disability advocate, who has published recently in ‘Growing Up Disabled in Australia’ And ‘Earth Cries: A Climate Change Anthology’. Follow Lauren @laurenlpoole on Twitter.
Host: Dr Craig Barker, Head of Public Engagement, Chau Chak Wing Museum and Director, Paphos Theatre Archaeological Excavations. Follow @DrCraig_B on Twitter and Instagram.
Object details: Parts from prototypes of the Cotton Aerodynamic Anti-G (CAAG) suit [SC1995.60.1-117]
Read more on the Cotton suit in this paper by Dr Peter Hobbins, on the challenges of preserving the suit in this blog and for an image of Cotton and the suit being worn by pilots during the war from the Faculty of Medicine’s collection visit here.
More from Object Matters
In this episode of Object Matters host Dr Craig Barker is joined by historian and author Dr Kiera Lindsey. Together they discuss her new book on colonial Sydney artist Adelaide Ironside titled Wild Love. Together they examine speculative history, writing biographies and art in colonial New South Wales, and explore Adelaide's complex relationship with University of Sydney founders William Charles Wentworth and Sir Charles Nicholson.
In this episode of Object Matters host Dr Craig Barker is joined by Dr Anastasia Christophilopoulou, an archaeologist and curator at the Fitzwilliam Museum in Cambridge and the 2023 Sir Charles Nicholson Lecturer. Together they discuss the Being An Islander project and associated Islanders: The Making of the Mediterranean exhibition at the Fitzwilliam Museum, as well as Anastasia's archaeological interests in material culture in island environments, including Crete, Sardinia and Cyprus, where they discuss an Archaic period cult sanctuary site called Salamis Toumba.
In this special episode of Object Matters host Dr Craig Barker is joined by Egyptian archaeologist Dr Heba Abd el-Gawad. Together they discuss the unique role ancient Egypt plays in museums globally, the missing modern Egyptian voice in ancient Egyptian exhibitions, decolonising collections and her work as part of the AHRC-funded project ‘Egypt’s Dispersed Heritage: views from Egypt’, partnering with UK museums and archives to communicate the history of cultural dispersal and examining opportunities to create dialogue with modern Egyptian communities.
For this episode of Object Matters host Dr Craig Barker is joined by Dr Natali Pearson of the University of Sydney's Sydney Southeast Asia Centre (SSEAC). Natali is a critical heritage scholar, so together they discuss her work on the maritime heritage of Southeast Asia, including her own work and her recent publication on the Belitung shipwreck in Indonesian waters, and the importance of Australians knowing our nearest neighbours better. Moving from Southeastern Asia to the Mediterranean, together they discuss the second century BC transport amphora (Greco-Italic style) covered with shell encrustations, and muse upon the sea's influence on human cultural history, trade and transportation of commodities and the importance of the encrustation as part of the object's history.
For this episode of Object Matters host Dr Craig Barker is joined by zoologist and 2023 Macleay Miklouho-Maclay Fellow Dr Angel Luis Viloria Petit, who has recently completed his research in Sydney, examining historic collections of butterflies. The Chau Chak Wing Museum houses the natural history collection of Alexander Macleay (1767-1848) largely amassed prior to his arrival in the colony of NSW in 1826. Many of the insects were acquired by Macleay from other naturalists, including Dru Drury (1725-1804) who published three volumes on butterflies. In his three months in Sydney, Venezuelan-based Dr Viloria has examined thousands of specimens in the collection and has successfully identified more than 260 primary type specimens, many from Drury's collections dating back to the 1770-1790s, identifiable from hand-painted illustrations from within those publications.