Show Notes
It's Boxing Night in Bruddersford and the pantomime's a disaster waiting to happen. The company's second-rate, the theatre's half empty, and the actor playing the Demon King hasn't turned up. Then he does—and suddenly everything changes. The performance takes on an authority it never had in rehearsal. The comedy gets sharper, the villain more convincing, and by the end something has happened that nobody can quite explain.
Priestley wrote this in 1931, drawing on his Bradford theatre days and the tradition of the pantomime devil who enters from stage left. The BBC adapted it for radio in 1962 with Ian Wallace, adding Radiophonic Workshop effects to a story that's as much about provincial theatre life as it is about the supernatural.
First published 1931. BBC Home Service radio adaptation December 1962.
Author: J. B. Priestley (1894–1984), Bradford-born novelist and playwright. Best known for The Good Companions, Angel Pavement, and An Inspector Calls. During the war his BBC radio talks reached audiences of 16 million.
Listen to a 24/7 Stream of Classic Ghost Stories Ad Free here:
www.gravenheim.com Learn more about your ad choices. Visit megaphone.fm/adchoices
More from Classic Ghost Stories
Mr Bessel is a conscientious man, and the experiment he agrees to try with his friend Vincey is undertaken in the spirit of honest enquiry. It takes place on a quiet evening, and it concerns nothing more alarming than how far one mind might reach toward another. Yet something has noticed what they are doing, and before long Mr Bessel will have found that the self he has always taken for granted is far less secure than he supposed, and that some questions, once asked, are answered.
A middle‑aged businessman sits in a psychiatrist’s office with a problem he can barely put into words. Something in the world has shifted, or else something in his own perception has, and the solid faces around him no longer look quite as human as they once did. In his account there are no apparitions, no rattling chains, only the slow, unnerving sense that certain very ordinary people are quietly working to empty life of colour, choice, and meaning. As he talks, the calm, professional office itself begins to feel strangely less reassuring.
Edith Wharton's “All Souls” begins with an empty house on a winter night and a woman waiting as the snow piles up. Written six months before Wharton's death, this final completed work of fiction is something quieter than a cozy ghost story—and hard to shake.
Thanks to Hayley Smith for sponsoring this episode!
An unmarried schoolteacher crosses a river by ferry to collect her dead sister's daughter from the girl's stepmother, a woman with china-blue eyes and a smile that is hiding something.