Show Notes
Director Ruben Östlund discusses his latest Palme d'Or-winning film, Triangle of Sadness, and why he wanted to look at "beauty as a currency." Playwright Chloé Hung discusses her new dark comedic play, Three Women of Swatow, about three generations of Chinese women who discover they are bound by more than blood. Photographer Carrie Mae Weems discusses art, class and culture — and how she feels about being called an artist ahead of her time.
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Jason Segel has played a lot of funny characters in turmoil. Whether that’s as a young person in the throes of angst in “Freak and Geeks,” or as someone recently dumped while on a Hawaiian vacation like in “Forgetting Sarah Marshall.” He keeps that trend going in the new Apple TV+ series, “Shrinking,” where he plays a therapist who’s dealing with his own tragedy. Jason tells Tom about the ‘magical melancholy,’ in his roles and why he left L.A. after the massive success of How I Met Your Mother.
Nineteen85 is behind some of Drake’s biggest songs, from “Hotline Bling” to “Hold On We’re Going Home.” And when he’s not putting his Grammy Award-winning touch on other people’s music, he’s making his own as part of the R&B duo DVSN. Nineteen85 talks to Tom about his new album, his love of Jimi Hendrix and what it was like producing some of Drake’s most beloved songs.
Matty Healy, the frontman of the band The 1975, is known for his quippy, observational lyrics about dating, youth culture and technology. But when it comes to his own emotions, he’s typically quite guarded. On The 1975’s new album “Being Funny in a Foreign Language,” he leans into his feelings and shares them with the world. Matty joins Tom Power to talk about being a band for two decades and why their new album is their most sincere yet.
After 40 years working in film, Laura Dern has built a reputation for playing complex women grappling with the messiness of real-life. That legacy continues with her latest movie, “The Son,” in which she plays a divorced parent trying to support her son through depression.
Sarah Polley’s Oscar-nominated film “Women Talking” is a powerful story about three generations of women who sit down to decide the fate of the women and children of their Mennonite colony. After years of surviving sexual abuse, they have 24 hours to decide: stay and do nothing, stay and fight, or leave. Sarah tells Tom about her film, what it was like stepping back from the film industry after a concussion and how she used her experience as a child actor to create the best environment possible for the children on the set of “Women Talking.”