Show Notes
Jaclyn Gilbert's Butter Road (Acre Books, 2026) is a searing novel about a community irrevocably transformed by gun violence. In 2006, a gunman entered a one-room Amish schoolhouse in Lancaster County, Pennsylvania, taking the students hostage and shooting ten girls before turning his weapon on himself. Set twelve years after this event, largely in the village of Nickel Mines, Butter Road explores the long-reaching ramifications of tragedy through the imagined lives of three women: Emma Walsh, an eighteen-year-old survivor of the shooting; her mother, Ruth, who lost her eldest daughter to the violence; and Sara Caldwell, an "English" outsider and wife of a doctor researching genetic disorders in the Amish population. At the novel's outset, Sara enlists young Emma for housework and gardening to help the Walshes alleviate the debt they've accumulated caring for Emma's disabled brother, who has the rare condition Sara's husband is studying. Over the course of several months, Sara and Emma form a bond, and as Emma explores Sara's library, she begins writing fragments of memory on the backs of old feed calendars--a process that leads her to grapple with the devastating deaths of her sister and friends, and the insularity of Amish forgiveness. The more Emma writes, the more she questions her upbringing and ingrained beliefs, ultimately seeing her relationship to Isaac Ames, the man she is destined to marry, in a new light. The story culminates with the characters making breathtaking, self-searching decisions that alter the lives of others as well as their own. Emotionally acute and lyrically spare, Butter Road centers on living with what we can't control, on understanding trauma and collective grief, and on following one's heart.
More from New Books in Literature
Describing the plot of a Tom McCarthy novel requires some caveats about the scale and the projection of the thing. One might begin with a description of a man who after suffering a head injury decides to recreate and reenact a day in his life again and again ad absurdum to the point of violence, but this would be insufficient as a depiction of the novel Remainder’s electrical currents of feeling and its intellectual conduits that flip switches on and off in literary theory and philosophy. Likewise, a gloss of Satin Island might rest on the project of its narrator, a corporate archeologist preparing an all-encompassing ethnography of our human era. But such a distillation misses the humor, intrigue, and dreamwork that make the novel an island unto itself. And these baffling plots give way to novels that as the AV club has written, “are more entertaining than [they] have any right to be”.
When Saul Keng Hsiu and his wife, Mei Lee, move from China to the United States to take possession of a 160-acre homestead bequeathed to them by a distant relative, all they have are the possessions on their back, some hidden gold, and a pocketful of chrysanthemum seeds. After a rocky start and a long, harsh winter, the couple find themselves successfully raising chrysanthemums and livestock, and soon after, a daughter, Mara.
Sharma and Sushila were ahead of their time in marrying for love and across castes in early 1950s India. When their oldest daughter is nine, they leave their home and family for Sharma to take an academic position in astrophysics in America. Sushila takes care of their home, raises their girls, manages to complete a doctorate, and becomes a feminist philosopher. The three daughters grow into young women, each navigating school and community during the upheaval of the 1960s. While coming to terms with their parents’ flaws and building relationships and lives, they learn to count on each other through marriage and divorce, children and careers. Sutra Americana (U Wisconsin Press, 2026) is a sweeping and beautiful immigrant saga about identity, memory, forgiveness, and love.
Wednesday, Oct. 7—Over in the blink of an eye, the best flash fiction lingers long after we finish reading it. The incandescent works collected in Library of America’s American Flash Fiction: An Anthology showcase the vitality of this literary form with a rich history and dazzling present. Join celebrated flash authors Lynne Tillman, Venita Blackburn, and Ben Loory, along with volume editor David L. Ulin, for a dive into these miniature masterpieces of deceptive depth and power.
In this NBN episode, host Hollay Ghadery speaks with Christine Fischer Guy about her novel, The Instrument Must Not Matter (Wolsak & Wynn, 2026).