Show Notes
Poetic and unflinching, Clio Barnard’s films explore the beauty and terror in rural English landscapes. Honing in on the lives and hardships of working-class Englanders, her films offer an unblinking account of life on the margins.
In this interview with Matthew Sweet, she discusses her recent film, Dark River (2017), alongside The Selfish Giant (2013), which developed from her experimental documentary, The Arbor (2010), based on Bradford playwright, Andrea Dunbar.
More from Royal Academy of Arts
Recorded during our exhibition Lucien Freud: The Self-portraits, Tracey Emin CBE RA and David Dawson(Lucien Freud's assistant and model) discuss their memories of the artist, as well as Emin and Freud’s shared ability to innovate, provoke and soul-search.
Anthropologist and director of the documentary 'Inside Australia', Hugh Brody discusses how geology, anthropology and humankind’s connection with the land are represented in Gormley’s work.
Theoretical astrophysicist, Priya Natarajan, joins Semiconductor, the artist duo Ruth Jarman and Joe Gerhardt, to discuss how artists contribute to our understanding of the world around and the relationship between physics, cosmology and art.
Antony Gormley discusses his career spanning over 40 years and explores how his series of installations within the RA’s Main Galleries encouraged visitors to slow down and become aware of their own bodies and environment.
Our panel, chaired by art critic, writer & curator, Sacha Craddock, and including Alistair Hudson, Director of the Whitworth and Mariam Zulfiqar, Deputy Director and Chief Curator at UP Projects, questions where sculpture is best exhibited and what impact sculptures have on the spaces they are presented in. Do sculptures act as catalysts for social change and can people connect better with a place when it contains a work of art?