Show Notes
Nicholas Pegg and I are back for the final instalment of our three part extravaganza about David Bowie's 1984 album Tonight and its a good one - you'll have never heard anyone explore the joys of 'Tumble and Twirl', 'I Keep Forgetting' and 'Dancing With the Big Boys' in quite such vivid detail before. In making this series of episodes, I've changed my mind about 'Tonight' to some extent. Going in, I'd dismissed it as a load of old horse manure, but having heard what Nick has to say has made me if not love it, at least appreciate it a bit more, especially, 'Tumble and Twirl', 'Loving the Alien' and even 'Don't Look Down'. Still can't be doing with 'God Only Knows' though. Some things will never change.
Thanks to Nicholas Pegg for his time and generosity in sharing his insights and research into 'Tonight', a huge thanks to Leah Kardos for crafting the beautiful music bookending this and previous 'Tonight' episodes and of course thanks to YOU, dear listener, for taking the time to reassess this most esoteric and divisive of albums.
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He's the man who went from Philly soul to Scary Monsters by way of Station to Station and all things Berlin - yes, it's Carlos Alomar, guitarist, songwriter, collaborator, bandleader and all round musical machine joining me on this episode for a wide ranging conversation spanning technology, working with David Bowie, James Brown, George Murray, Dennis Davis, The Monkees, Jimi Hendrix, watermelons, cherries and pineapples and much more. He even gets his guitar out and demonstrates where just a couple of those legendary licks originated from.
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