Show Notes
As the sun slowly rose over the Rio Grande on September 15, 1891, Catarino Erasmo Garza stood on the Texas side of the border holding in his hands two objects that would come to define his life: a Winchester rifle and a revolutionary proclamation. For years Garza had fought the dictatorship of Porfirio Díaz through his many newspapers and publications. Now he announced that he was laying down the pen and taking up arms. In the opening lines of his manifesto, he declared: "The last of the inde...
More from Tales From Aztlantis
Today, we’re talking about how we tell history, and specifically, how the media treats indigenous cultures. We are diving into the recent cultural history of the so-called Aztec Death Whistle. I’ve wanted to look into this topic for a while, but a recent horror movie about the whistle prompted a discussion on the Aztlantis discord, so I felt the time was right to dive into it. The main question at hand is how and why did the whistle enter popular culture? That indeed is an interesting q...
In this special dispatch from Aztlantis, Dr. Ruben Arellano Tlakatekatl talks "Dia De La Raza." listener comments? Feedback? Shoot us a text! Support the show Order "NEVER WILL IT BE LOST" and get $5 off! Support Lignum: A Cultural Haven in Mérida Your Hosts: Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented l...
What is Aztlan? And what does this Indigenous concept mean to the Chicano Nation? listener comments? Feedback? Shoot us a text! Support the show Order "NEVER WILL IT BE LOST" and get $5 off! Support Lignum: A Cultural Haven in Mérida Your Hosts: Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the...
The year is 1966, in Santa Monica, California. Inside a large, dimly lit room, members of a controversial and increasingly violent group known as Synanon gather in a circle. At the center sits a single figure—another “Synanite”—alone on a folding chair, surrounded on all sides. Around the edges of the room, a few silent observers watch, waiting. Then it begins. One by one, the circle turns inward. Voices rise. Insults sharpen. What starts as confrontation quickly escalates into something far ...
We are joined by Colleen Lucero to talk about the upcoming exhibit Hopi Kachina Dolls: Blessings for a Balanced World, which opens October 2 at the Brooklyn Museum, and her work with the Hopivewat Learning Center. Colleen is a Hopi community member from the village of Hotevilla. She is the Managing Director of the Hopivewat Learning Center, a community-designed organization that facilitates accessible opportunities for Hopi people to engage with their tribal and cultural heritage. She also co...