Show Notes
After the genre-diversity, sound pioneering, and commercial success, of his 1970s collaborations, Tony Visconti entered a drastically different music decade in the 1980s.
The influence of punk is being felt, even in Tony's chart-dominating mainstream, and the sounds become harsher, noisier and, somehow, poppier.
In this episode we talk Adam Ant, The Boomtown Rats, Elaine Paige and more. Yeah, it's a strange one.
More from Productionwise
In our series finale, we close the door on the great Tony Visconti's 1980s discography.
In part 2 of our deep dive into his discography, we see just how far the sound of post-punk pioneer Martin Hannett could go.
Trevor Horn is often called the man who invented the 80s, but the same could be said of Martin Hannett.
In part 2 of our special on the production Discography of the great Nellee Hooper, the collaborations get bigger, as does his gallery of smash pop hits.
In the late 1980s, London club collective Soul II Soul were chipping away at the stifling assembly-line atmosphere dominating the UK pop charts with their combination of soul, dance, hip-hop and R&B. Helping them ease the transition from dance flood to living room hifi with their debut album Club Classics Vol. One was production and remix team Jazzie B and Nellee Hooper.