Show Notes
Pluribus isn’t just a masterclass in character, it’s a study in how the world around your protagonist shapes our empathy. Jake explores how Vince Gilligan uses contrast, irony, and a disruptive structural design in the pilot and second episode of Pluribus to draw us toward a protagonist who isn’t trying to be likable, revealing a deeper craft approach to writing truthful, compelling characters without having to “save the cat.”
More from Write Your Screenplay Podcast
Give your pilot everything it needs to take off like a rocket.
In Part 1 of this two-part exploration of Steven Conrad’s pilots, Jacob Krueger breaks down DTF St. Louis to explore what a great TV pilot needs to accomplish – not just as a compelling story, but as a blueprint for an entire series.
Christopher Nolan's The Odyssey becomes most powerful when its monsters reveal the film's hidden structure. Jacob Krueger explains Circe, Scylla, xenia, the Trojan Horse and why Odysseus must leave Ithaca after saving it.
Christopher Nolan's Odyssey keeps the monsters and loses the gods. Jake breaks down what the adaptation sacrifices, what it protects, and how to know which god your own adaptation is really serving.
Emmy-winning showrunner John Strauss (Arcane, Mozart in the Jungle) on how TV writers get hired, survive notes, and pitch. Watch the full interview.