Show Notes
To commemorate the centenary of electronic music pioneer Daphne Oram on 31 December 2025, Caro C explores Oram’s lasting influence in a conversation with Sarah Angliss and Ian Stonehouse. The episode continues with Shiva Feshareki and James Bulley discussing their Proms performance of Still Point, Oram’s innovative orchestral work from 1948 that integrated electronic sound and live manipulation. Chapters 00:00 - Introduction Sarah Angliss & Ian Stonehouse 02:15 - Composer, Inventor and the Radiophonic Workshop 06:42 - Inspired by the sound-houses of Francis Bacon 11:34 - Working In Frequency, Not Pitch 13:01 - Tower Folly and the Oramics Machine 16:09 - Working With Post-War Equipment 22:12 - Insights and Inspiration from the Archives 26:56 - Top Musical Selections From the Archive Shiva Feshareki & James Bulley 32:57 - A Proms Performance Of Still Point 37:55 - The Daphne Oram Archive and Goldsmiths 41:12 - Creating A Historically Accurate Performance 45:22 - Following The Written Instructions 53:27 - Creating An Updated Score See also: https://www.soundonsound.com/people/graham-wrench-story-daphne-orams-optical-synthesizer https://www.soundonsound.com/people/story-bbc-radiophonic-workshop
Daphne Oram Biog Daphne Oram (1925–2003) was a pioneering British composer and inventor, and one of the founders of the BBC Radiophonic Workshop. A trailblazer in electronic music, she developed the Oramics system, a groundbreaking method of composing sound by drawing directly onto film, allowing pitch, timbre and dynamics to be controlled visually rather than through traditional notation. Her work fundamentally reshaped ideas about how music could be created, laying the foundations for electronic composition, sound synthesis and experimental music practices that continue to influence composers, producers and sound designers today. Website: www.daphneoram.org Sarah Angliss Biog Sarah Angliss is an Ivor Novello Award-winning composer, performer, and instrument designer working across film, theatre, and live performance in Europe and North America. Her work includes the electroacoustic score for Romola Garai’s Amulet and the opera Giant, which combines baroque instruments with electronics and DIY music machines. Drawing on European folk, cybernetics, and electroacoustic engineering, her music explores inventive sound design. Sarah has received the Visionary Award from the Ivors Academy (2021) and a Paul Hamlyn Award for Composers (2018). She’s recently joined the Augmented Instruments Lab at Imperial College, London, for researching lost alternative design strategies dormant in forgotten electronic musical instruments. Website: www.sarahangliss.com Instagram: @sarah_angliss
Ian Stonehouse Biog Ian Stonehouse is an archivist, researcher and performer working in the Electronic Music Studios and Special Collections at Goldsmiths, University of London, with the archives of composers Daphne Oram, Lily Greenham and Hugh Davies. He has lectured in Sonic Art for over 30 years and was Head of the Electronic Music Studios at Goldsmiths from 2004-2019. Most recently he's been a research consultant and instrument maker for projects including Lily Greenham: An Art of Living at Badischer Kunstverein in Karlsruhe, Germany (2024), the Science Museum's Time Loops concert series with composer Gavin Bryars and the group Icebreaker (2024-25), Ensemble Contrechamps' Daphne Oram: An Individual Note concert at the Auditorium Ansermet in Geneva (2025), Nonclassical's Vari/ations: An Ode to Oram event at the Barbican in London (2025) and as part of an ensemble celebrating the legacy of experimental group Gentle Fire at Cafe Oto in London (2026). Bandcamp: ianstonehouse.bandcamp.com Instagram: @soonheisatune Shiva Feshareki Biog A doctoral composition graduate from the Royal College of Music, Shiva Feshareki is an Ivor Novello award-winning British-Iranian composer and turntablist, working at the intersection of contemporary-classical and electronic music. She has
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